Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. Møllegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012). John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014). Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).
Inhaltsangabe
Introduction: This is Film Studies Part I: Film Form and Analysis Chapter 1: Mise en scène Chapter 2: Cinematography Chapter 3: Editing Chapter 4: Sound Chapter 5: Performance Part II: Theoretical Approaches and Critical Debates Chapter 6: Narrative and Genre Chapter 7: Representation and Ideology Chapter 8: Spectatorship and Audience Studies Chapter 9: Authorship Chapter 10: Historical, Social, and Cultural Contexts Part III: Hollywood and US Cinema Chapter 11: Classic Hollywood, 1930-1960 Chapter 12: New Hollywood, 1961-1990 Chapter 13: Contemporary American Cinema Part IV: National Cinemas, Global Cinema, and Arthouse Film Chapter 14: Contemporary British Cinema Chapter 15: European Film Chapter 16: Global Film Part V: Further Varieties of Film Experience Chapter 17: Silent Cinema Chapter 18: Experimental Film Chapter 19: Documentary Film: Theory and Practice Part VI: Understanding Film through Creative Practice Chapter 20: Researching and Constructing a Short Film: Narrative Construction Index
Introduction: This is Film Studies Part I: Film Form and Analysis Chapter 1: Mise en scène Chapter 2: Cinematography Chapter 3: Editing Chapter 4: Sound Chapter 5: Performance Part II: Theoretical Approaches and Critical Debates Chapter 6: Narrative and Genre Chapter 7: Representation and Ideology Chapter 8: Spectatorship and Audience Studies Chapter 9: Authorship Chapter 10: Historical, Social, and Cultural Contexts Part III: Hollywood and US Cinema Chapter 11: Classic Hollywood, 1930-1960 Chapter 12: New Hollywood, 1961-1990 Chapter 13: Contemporary American Cinema Part IV: National Cinemas, Global Cinema, and Arthouse Film Chapter 14: Contemporary British Cinema Chapter 15: European Film Chapter 16: Global Film Part V: Further Varieties of Film Experience Chapter 17: Silent Cinema Chapter 18: Experimental Film Chapter 19: Documentary Film: Theory and Practice Part VI: Understanding Film through Creative Practice Chapter 20: Researching and Constructing a Short Film: Narrative Construction Index
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