Ronald L. Martinez (Professor, Professor, Brown University), Dante Alighieri
The Divine Comedy of Dante Alighieri, Volume 3
Paradiso
Ronald L. Martinez (Professor, Professor, Brown University), Dante Alighieri
The Divine Comedy of Dante Alighieri, Volume 3
Paradiso
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Durling's precise and powerful translation of Paradiso appears alongside the original Italian text recounting Dante's journey through heaven with the beautiful Beatrice. The end of each canto contains thorough yet succinct notes by Durling and Ronald Martinez that acquaint the reader with Dante's medieval world and his reference points.
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Durling's precise and powerful translation of Paradiso appears alongside the original Italian text recounting Dante's journey through heaven with the beautiful Beatrice. The end of each canto contains thorough yet succinct notes by Durling and Ronald Martinez that acquaint the reader with Dante's medieval world and his reference points.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press Inc
- Seitenzahl: 886
- Erscheinungstermin: 1. Dezember 2013
- Englisch
- Abmessung: 234mm x 156mm x 51mm
- Gewicht: 1368g
- ISBN-13: 9780195087468
- ISBN-10: 0195087461
- Artikelnr.: 39338588
- Verlag: Oxford University Press Inc
- Seitenzahl: 886
- Erscheinungstermin: 1. Dezember 2013
- Englisch
- Abmessung: 234mm x 156mm x 51mm
- Gewicht: 1368g
- ISBN-13: 9780195087468
- ISBN-10: 0195087461
- Artikelnr.: 39338588
Edited and Translated by Robert M. Durling Introduction and Notes by Ronald L. Martinez and Robert M. Durling
* CONTENTS
* Abbreviations, xv
* Introduction, 2
* PARADISO
* CANTO 1
* Notes to Canto 1
* CANTO 2
* Notes to Canto 2
* CANTO 3
* Notes to Canto 3
* CANTO 4
* Notes to Canto 4
* CANTO 5
* Notes to Canto 5
* CANTO 6
* Notes to Canto 6
* CANTO 7
* Notes to Canto 7
* CANTO 8
* Notes to Canto 8
* CANTO 9
* Notes to Canto 9
* CANTO 10
* Notes to Canto 10
* CANTO 11
* Notes to Canto 11
* CANTO 12
* Notes to Canto 12
* CANTO 13
* Notes to Canto 13
* CANTO 14
* Notes to Canto 14
* CANTO 15
* Notes to Canto 15
* CANTO 16
* Notes to Canto 16
* CANTO 17
* Notes to Canto 17
* CANTO 18
* Notes to Canto 18
* CANTO 19
* Notes to Canto 19
* CANTO 20
* Notes to Canto 20
* CANTO 21
* Notes to Canto 21
* CANTO 22
* Notes to Canto 22
* CANTO 23
* Notes to Canto 23
* CANTO 24
* Notes to Canto 24
* CANTO 25
* Notes to Canto 25
* CANTO 26
* Notes to Canto 26
* CANTO 27
* Notes to Canto 27
* CANTO 28
* Notes to Canto 28
* CANTO 29
* Notes to Canto 29
* CANTO 30
* Notes to Canto 30
* CANTO 31
* Notes to Canto 31
* CANTO 32
* Notes to Canto 32
* CANTO 33
* Notes to Canto 33
* THE NICENE CREED
* BOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNAS
* Notes to "O qui perpetua'
* ADDITIONAL NOTES
* 1. The Figure of Beatrice (After Canto 2)
* 2. The Paradiso and the Monarchia
* 3.The Primacy of the Intellect, the Sun, and the Circling Theologians
(After Canto 14)
* 4. Dante and the Liturgy (After Canto 15)
* 5. The Religious Orders in the Paradiso
* 6. The Threshold Cantos in the Comedy
* 7. The Fate of Phaethon in the Comedy
* 8. Circle-Cross-Eagle-Scales: Images in the Paradiso
* 9. The Final Image
* 10. The Neoplatonic Background
* 11. Dante and Neoplatonism
* 12. Dante's Astrology
* 13. The Heavens and the Sciences: Convivio 2
* 14. The Paradiso as Alpha and Omega
* Textual Variants
* Bibliography
* Index of Italian, Latin, and Other Foreign Words Discussed in the
Notes
* Index of Passages Cited in the Notes
* Index of Proper Names in the Notes
* Index of Proper Names in the Text and Translation
* Abbreviations, xv
* Introduction, 2
* PARADISO
* CANTO 1
* Notes to Canto 1
* CANTO 2
* Notes to Canto 2
* CANTO 3
* Notes to Canto 3
* CANTO 4
* Notes to Canto 4
* CANTO 5
* Notes to Canto 5
* CANTO 6
* Notes to Canto 6
* CANTO 7
* Notes to Canto 7
* CANTO 8
* Notes to Canto 8
* CANTO 9
* Notes to Canto 9
* CANTO 10
* Notes to Canto 10
* CANTO 11
* Notes to Canto 11
* CANTO 12
* Notes to Canto 12
* CANTO 13
* Notes to Canto 13
* CANTO 14
* Notes to Canto 14
* CANTO 15
* Notes to Canto 15
* CANTO 16
* Notes to Canto 16
* CANTO 17
* Notes to Canto 17
* CANTO 18
* Notes to Canto 18
* CANTO 19
* Notes to Canto 19
* CANTO 20
* Notes to Canto 20
* CANTO 21
* Notes to Canto 21
* CANTO 22
* Notes to Canto 22
* CANTO 23
* Notes to Canto 23
* CANTO 24
* Notes to Canto 24
* CANTO 25
* Notes to Canto 25
* CANTO 26
* Notes to Canto 26
* CANTO 27
* Notes to Canto 27
* CANTO 28
* Notes to Canto 28
* CANTO 29
* Notes to Canto 29
* CANTO 30
* Notes to Canto 30
* CANTO 31
* Notes to Canto 31
* CANTO 32
* Notes to Canto 32
* CANTO 33
* Notes to Canto 33
* THE NICENE CREED
* BOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNAS
* Notes to "O qui perpetua'
* ADDITIONAL NOTES
* 1. The Figure of Beatrice (After Canto 2)
* 2. The Paradiso and the Monarchia
* 3.The Primacy of the Intellect, the Sun, and the Circling Theologians
(After Canto 14)
* 4. Dante and the Liturgy (After Canto 15)
* 5. The Religious Orders in the Paradiso
* 6. The Threshold Cantos in the Comedy
* 7. The Fate of Phaethon in the Comedy
* 8. Circle-Cross-Eagle-Scales: Images in the Paradiso
* 9. The Final Image
* 10. The Neoplatonic Background
* 11. Dante and Neoplatonism
* 12. Dante's Astrology
* 13. The Heavens and the Sciences: Convivio 2
* 14. The Paradiso as Alpha and Omega
* Textual Variants
* Bibliography
* Index of Italian, Latin, and Other Foreign Words Discussed in the
Notes
* Index of Passages Cited in the Notes
* Index of Proper Names in the Notes
* Index of Proper Names in the Text and Translation
* CONTENTS
* Abbreviations, xv
* Introduction, 2
* PARADISO
* CANTO 1
* Notes to Canto 1
* CANTO 2
* Notes to Canto 2
* CANTO 3
* Notes to Canto 3
* CANTO 4
* Notes to Canto 4
* CANTO 5
* Notes to Canto 5
* CANTO 6
* Notes to Canto 6
* CANTO 7
* Notes to Canto 7
* CANTO 8
* Notes to Canto 8
* CANTO 9
* Notes to Canto 9
* CANTO 10
* Notes to Canto 10
* CANTO 11
* Notes to Canto 11
* CANTO 12
* Notes to Canto 12
* CANTO 13
* Notes to Canto 13
* CANTO 14
* Notes to Canto 14
* CANTO 15
* Notes to Canto 15
* CANTO 16
* Notes to Canto 16
* CANTO 17
* Notes to Canto 17
* CANTO 18
* Notes to Canto 18
* CANTO 19
* Notes to Canto 19
* CANTO 20
* Notes to Canto 20
* CANTO 21
* Notes to Canto 21
* CANTO 22
* Notes to Canto 22
* CANTO 23
* Notes to Canto 23
* CANTO 24
* Notes to Canto 24
* CANTO 25
* Notes to Canto 25
* CANTO 26
* Notes to Canto 26
* CANTO 27
* Notes to Canto 27
* CANTO 28
* Notes to Canto 28
* CANTO 29
* Notes to Canto 29
* CANTO 30
* Notes to Canto 30
* CANTO 31
* Notes to Canto 31
* CANTO 32
* Notes to Canto 32
* CANTO 33
* Notes to Canto 33
* THE NICENE CREED
* BOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNAS
* Notes to "O qui perpetua'
* ADDITIONAL NOTES
* 1. The Figure of Beatrice (After Canto 2)
* 2. The Paradiso and the Monarchia
* 3.The Primacy of the Intellect, the Sun, and the Circling Theologians
(After Canto 14)
* 4. Dante and the Liturgy (After Canto 15)
* 5. The Religious Orders in the Paradiso
* 6. The Threshold Cantos in the Comedy
* 7. The Fate of Phaethon in the Comedy
* 8. Circle-Cross-Eagle-Scales: Images in the Paradiso
* 9. The Final Image
* 10. The Neoplatonic Background
* 11. Dante and Neoplatonism
* 12. Dante's Astrology
* 13. The Heavens and the Sciences: Convivio 2
* 14. The Paradiso as Alpha and Omega
* Textual Variants
* Bibliography
* Index of Italian, Latin, and Other Foreign Words Discussed in the
Notes
* Index of Passages Cited in the Notes
* Index of Proper Names in the Notes
* Index of Proper Names in the Text and Translation
* Abbreviations, xv
* Introduction, 2
* PARADISO
* CANTO 1
* Notes to Canto 1
* CANTO 2
* Notes to Canto 2
* CANTO 3
* Notes to Canto 3
* CANTO 4
* Notes to Canto 4
* CANTO 5
* Notes to Canto 5
* CANTO 6
* Notes to Canto 6
* CANTO 7
* Notes to Canto 7
* CANTO 8
* Notes to Canto 8
* CANTO 9
* Notes to Canto 9
* CANTO 10
* Notes to Canto 10
* CANTO 11
* Notes to Canto 11
* CANTO 12
* Notes to Canto 12
* CANTO 13
* Notes to Canto 13
* CANTO 14
* Notes to Canto 14
* CANTO 15
* Notes to Canto 15
* CANTO 16
* Notes to Canto 16
* CANTO 17
* Notes to Canto 17
* CANTO 18
* Notes to Canto 18
* CANTO 19
* Notes to Canto 19
* CANTO 20
* Notes to Canto 20
* CANTO 21
* Notes to Canto 21
* CANTO 22
* Notes to Canto 22
* CANTO 23
* Notes to Canto 23
* CANTO 24
* Notes to Canto 24
* CANTO 25
* Notes to Canto 25
* CANTO 26
* Notes to Canto 26
* CANTO 27
* Notes to Canto 27
* CANTO 28
* Notes to Canto 28
* CANTO 29
* Notes to Canto 29
* CANTO 30
* Notes to Canto 30
* CANTO 31
* Notes to Canto 31
* CANTO 32
* Notes to Canto 32
* CANTO 33
* Notes to Canto 33
* THE NICENE CREED
* BOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNAS
* Notes to "O qui perpetua'
* ADDITIONAL NOTES
* 1. The Figure of Beatrice (After Canto 2)
* 2. The Paradiso and the Monarchia
* 3.The Primacy of the Intellect, the Sun, and the Circling Theologians
(After Canto 14)
* 4. Dante and the Liturgy (After Canto 15)
* 5. The Religious Orders in the Paradiso
* 6. The Threshold Cantos in the Comedy
* 7. The Fate of Phaethon in the Comedy
* 8. Circle-Cross-Eagle-Scales: Images in the Paradiso
* 9. The Final Image
* 10. The Neoplatonic Background
* 11. Dante and Neoplatonism
* 12. Dante's Astrology
* 13. The Heavens and the Sciences: Convivio 2
* 14. The Paradiso as Alpha and Omega
* Textual Variants
* Bibliography
* Index of Italian, Latin, and Other Foreign Words Discussed in the
Notes
* Index of Passages Cited in the Notes
* Index of Proper Names in the Notes
* Index of Proper Names in the Text and Translation