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This is the first integral collection of Pessoa's Caeiro heteronym in English, and the poems are accompanied by the introductions of Ricardo Reis and a memoir by Álvaro de Campos, two of Pessoa's other major poetic heteronyms, as well as a poem dedicated to Caeiro by Coelho Pacheco, believed by many commentators to be another one-off heteronym.Ricardo Reis says: "Alberto Caeiro da Silva was born in Lisbon on April 16, 1889, and died of tuberculosis in the same city on (. . .), 1915. He spent nearly all his life in a village in Ribatejo, and only returned to the city of his birth in his final…mehr

Produktbeschreibung
This is the first integral collection of Pessoa's Caeiro heteronym in English, and the poems are accompanied by the introductions of Ricardo Reis and a memoir by Álvaro de Campos, two of Pessoa's other major poetic heteronyms, as well as a poem dedicated to Caeiro by Coelho Pacheco, believed by many commentators to be another one-off heteronym.Ricardo Reis says: "Alberto Caeiro da Silva was born in Lisbon on April 16, 1889, and died of tuberculosis in the same city on (. . .), 1915. He spent nearly all his life in a village in Ribatejo, and only returned to the city of his birth in his final months. In Ribatejo he wrote nearly all his poems . . ."Fernando Pessoa was educated in English in Durban, as the stepson of a Portuguese diplomat, and was completely bilingual. During his lifetime he was to publish only one collection of his poems in Portuguese, although many appeared in literary journals, under a number of alter egos, or heteronyms, chief amongst them Alberto Caeiro, Alvaro de Campos and Ricardo Reis. At his death in 1935, Pessoa left more than 20,000 manuscripts, both poetry and prose, in a large trunk, the contents of which are still being transcribed and deciphered to this day. He is the greatest modern poet in the Portuguese language, but also always considered himself a poet in the English tradition.
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Autorenporträt
Publicada apenas um ano antes da morte do autor, a obra trata do glorioso passado de Portugal de forma apologética e tenta encontrar um sentido para a antiga grandeza e a decadência existente na época em que o livro foi escrito. Glorifica acima de tudo o estilo camoniano e o valor simbólico dos heróis do passado, como os Descobrimentos portugueses. É apontando as virtudes portuguesas que Fernando Pessoa acredita que o país deva se "regenerar", ou seja, tornar-se grande como foi no passado através da valorização cultural da nação.