Decameron - Vol I (1471) - Boccaccio, Giovanni
39,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
20 °P sammeln
  • Gebundenes Buch

Boccaccio's masterpiece is here issued unabridged. It is a complete world in itself, one in which we can walk about even as the characters themselves. It is not, in fact, necessary to read very much of this exquisite prose before we become as much part of the amorous and lyrical fourteenth century as the ladies and gentlemen themselves, who wile away their time with stories on the slope at Fiesole. Boccaccio's extensive knowledge of human nature enabled him to seal with his characters not too seriously, but with that ironic detachment and air of humorous omniscience that is the privilege of…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
Boccaccio's masterpiece is here issued unabridged. It is a complete world in itself, one in which we can walk about even as the characters themselves. It is not, in fact, necessary to read very much of this exquisite prose before we become as much part of the amorous and lyrical fourteenth century as the ladies and gentlemen themselves, who wile away their time with stories on the slope at Fiesole. Boccaccio's extensive knowledge of human nature enabled him to seal with his characters not too seriously, but with that ironic detachment and air of humorous omniscience that is the privilege of the greatest writers and the delight of their readers.Keywords: Exquisite Prose Boccaccio Fourteenth Century Ladies And Gentlemen Omniscience Fiesole Wile Amorous Detachment Human Nature Masterpiece Slope Privilege
Autorenporträt
Giovanni Boccaccio (16 June 1313 - 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote several notable works, including The Decameron and On Famous Women. He wrote his most imaginative literature in Tuscan vernacular, as well as a few in Latin. Boccaaccio is particularly noted for his realistic dialogue which differed from that of his contemporaries, who usually followed formulaic models for character and plot.