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In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'

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Produktbeschreibung
In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'

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Autorenporträt
"Arthur Asher Miller was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century.He was awarded the National Medal of Arts in 1993 and in 1998, he won the PEN/Laura Pels International Foundation for Theatre Award for a Master American Dramatist. Miller went on to win various other prestigious awards and prizes, including Medal for Distinguished Contribution to American Letters in 2001."
Rezensionen
'Miller's 1949 play was his first great success, and even now its time-bend structure, in which past and present exist side by side on stage, is dramatically startling' Lyn Gardner, Guardian, 08.05.10