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Berlin! Berlin! - Tucholsky, Kurt
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Berlin! Berlin! is a selection from the "man with the acid pen and the perfect pitch for hypocrisy," as Peter Wortsman characterizes him. This book is a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or…mehr

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Produktbeschreibung
Berlin! Berlin! is a selection from the "man with the acid pen and the perfect pitch for hypocrisy," as Peter Wortsman characterizes him. This book is a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modeled after one of Tucholsky's real-life girlfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book.In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time.-William Grimes, The New York Times"Kurt Tucholsky was one of the most brilliant German Jewish writers and satirists of his time. He had to leave his beloved Berlin because of his biting, yet witty stories against militarism and Nazi Fascism. Today's Berliners adore him as one of the greatest sons of this city. The world has yet to discover his genius."-Peter Schneider, author of The Wall Jumper and Eduard's Homecoming"A representative selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face."-Peter Wortsman, Author of A Modern Way to Die and Ghost Dance in Berlin"Kurt Tucholsky was one of the most brilliant writers of republican Germany...More than any other person, he foresaw what was coming.... What his readers had enjoyed as the capricious fantasies of a clever satirist has now been enacted in bitter reality, even to a satirical forecast of his own mode of death."-From the New York Times' 1936 Obituary
Autorenporträt
Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabarets, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do.