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The most extensive account of Chinese literary history to date â?? spanning some 3,000 years â?? the Geschichte der chinesischen Literatur presents the historical development of each literary genre from the beginnings to the present day. Renowned scholars were involved in portraying the longest literary tradition alive. Seven volumes focus on individual genres and the complete work is rounded off by the Bibliographie zur chinesischen Literatur in deutscher Sprache (Bibliography of Chinese Literature in German), the Biographisches Handbuch chinesischer Schriftsteller (Biographical Handbook of…mehr

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The most extensive account of Chinese literary history to date â?? spanning some 3,000 years â?? the Geschichte der chinesischen Literatur presents the historical development of each literary genre from the beginnings to the present day. Renowned scholars were involved in portraying the longest literary tradition alive. Seven volumes focus on individual genres and the complete work is rounded off by the Bibliographie zur chinesischen Literatur in deutscher Sprache (Bibliography of Chinese Literature in German), the Biographisches Handbuch chinesischer Schriftsteller (Biographical Handbook of Chinese Writers), and an index volume. The fifth volume follows the history of reflection on literature and art in China from the beginning of the first millennium BC up to Chinaâ??s transition to the modern period (19th/20th century). The focus is on writings on the aesthetic aspects of poetry, the most important literary form in China. The topics range from the merging of scenery and feelings, the balance of content and form, harmony of the internal and external worlds, and natural creativity, to the â??Regel der Nicht-Regelâ? (rule of no rule). Relations to painting and the art of writing as well as philosophical developments such as Confucianism, Daoism and Buddhism, are also demonstrated. The Geschichte der chinesischen Literatur provides the first comprehensive coverage of a formidable cultural achievement, stretching back over three millennia and embracing many forms and subjects. Upon completion, the entire work will amount to a rich fund for sinological research, whilst also forming a stimulating source for comparative studies with other philologies and cultural sciences.
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