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A boy asks his father what it means to die; a poet wonders whether we can truly know another's thoughts; a man tries to understand how extreme violence and grace can occupy the same space. These are the questions Wayne Miller tackles in We the Jury: the hard ones, the impossible ones.
From an academic dinner party disturbing in its crassness and disaffection to a family struggling to communicate gently the permanence of death, Miller situates these poems-taut and spare, yet rich in their images and full of unexpected turns-in dilemma. He faces moments of profound discomfort, grief, and even joy with a philosopher's curiosity, a father's compassion, and an overarching inquiry at the crossroads of ethics and art: what is the poet's role in making sense of human behavior? A bomb crater-turned-lake "exploding with lilies," a home lost during the late-aughts housing crash-these images and others, powerful and resonant, attempt to answer that question.
Candid and vulnerable, Miller sits with us while we puzzle: we all wish we knew what to tell our children about death. But he also pushes past this and other uncertainties, vowing-and inviting us-to "expand our relationship / with Death," and with every challenging, uncomfortable subject we meet. In the face of questions that seem impossible to answer, We the Jury offers not a shrug, but curiosity, transparency, an opening of the arms.
From an academic dinner party disturbing in its crassness and disaffection to a family struggling to communicate gently the permanence of death, Miller situates these poems-taut and spare, yet rich in their images and full of unexpected turns-in dilemma. He faces moments of profound discomfort, grief, and even joy with a philosopher's curiosity, a father's compassion, and an overarching inquiry at the crossroads of ethics and art: what is the poet's role in making sense of human behavior? A bomb crater-turned-lake "exploding with lilies," a home lost during the late-aughts housing crash-these images and others, powerful and resonant, attempt to answer that question.
Candid and vulnerable, Miller sits with us while we puzzle: we all wish we knew what to tell our children about death. But he also pushes past this and other uncertainties, vowing-and inviting us-to "expand our relationship / with Death," and with every challenging, uncomfortable subject we meet. In the face of questions that seem impossible to answer, We the Jury offers not a shrug, but curiosity, transparency, an opening of the arms.
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