Three Lives of Lucie Cabrol - Berger, John
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Winer of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring Production Lucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love. "In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to…mehr

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Produktbeschreibung
Winer of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring Production Lucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love. "In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
Autorenporträt
Founded in 1983, Complicite is a constantly evolving ensemble of performers and collaborators, now led by Artistic Director Simon McBurney. Complicite's work has ranged from entirely devised work to theatrical adaptations and revivals of classic texts. The Company has also worked in other media; a radio production of Mnemonic for BBC Radio 3, collaborations with John Berger on a radio adaptation of his novel To The Wedding for BBC Radio and The Vertical Line, a multi-disciplinary installation performed in a disused tube station, commissioned by Artangel. Always changing and moving forward to incorporate new stimuli, the principles of the work have remained close to the original impulses: seeking what is most alive, integrating text, music, image and action to create surprising, disruptive theatre.