Schade – dieser Artikel ist leider ausverkauft. Sobald wir wissen, ob und wann der Artikel wieder verfügbar ist, informieren wir Sie an dieser Stelle.
  • Format: ePub

Red Channel in the Rupture is a gathering place for the troubling abuses of the past. Looking through the lens of the present moment, Thomas shows us the open palm necessary to embrace change, as she finds beauty in bodies gnashed, trapped, and crushed into change. Images and experiences bleed together as we confront with the poet the animal of loss and death. Moving through the aperture of landscapes and moments that have defined this poet, we discover the rupturing territory of time and change. We recover absolution for what has tried to kill our very souls. Here is the "endless rope"…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 1.42MB
Produktbeschreibung
Red Channel in the Rupture is a gathering place for the troubling abuses of the past. Looking through the lens of the present moment, Thomas shows us the open palm necessary to embrace change, as she finds beauty in bodies gnashed, trapped, and crushed into change. Images and experiences bleed together as we confront with the poet the animal of loss and death. Moving through the aperture of landscapes and moments that have defined this poet, we discover the rupturing territory of time and change. We recover absolution for what has tried to kill our very souls. Here is the "endless rope" thrown out to all of us in our shame and fear; we would be wise to snatch this coil from the air.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.

Autorenporträt
Amber Flora Thomas is the author of two collections of poems: EYE OF WATER, selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize, and THE RABBITS COULD SING, selected by Peggy Shumaker for the Alaska Literary Series in 2011. A recipient of the Dylan Thomas American Poet Prize, Richard Peterson Prize, and Ann Stanford Prize, her poetry has appeared in Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Crab Orchard Review, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry and numerous other journals and anthologies. She is a Cave Canem Fellow and faculty member. She received her MFA from Washington University in St. Louis in 1998. She was born and raised in northern California.