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Paradise Lost (eBook, ePUB) - Power, Ben
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'Here at least we shall be free. Better to reign in Hell, than serve in Heaven...'
Defeated in battle and exiled from heaven, Satan burns in a lake of fire with his army of rebels around him. Consumed with envy, he plots his bitter revenge - to destroy God's delight in his newest creation. During his hunt for Paradise on Earth, Satan sweet-talks his way out of hell and tricks his way across the universe to tempt Eve and seduce humanity.
Paradise Lost , the greatest epic poem in the English language, is a richly theatrical vision of the Fall of Mankind. This version was produced by the…mehr

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Produktbeschreibung
'Here at least we shall be free. Better to reign in Hell, than serve in Heaven...'
Defeated in battle and exiled from heaven, Satan burns in a lake of fire with his army of rebels around him. Consumed with envy, he plots his bitter revenge - to destroy God's delight in his newest creation. During his hunt for Paradise on Earth, Satan sweet-talks his way out of hell and tricks his way across the universe to tempt Eve and seduce humanity.
Paradise Lost, the greatest epic poem in the English language, is a richly theatrical vision of the Fall of Mankind. This version was produced by the Oxford Stage Company and toured throughout the UK in April 2006.
Autorenporträt
Ben Power is a writer and dramaturg. Since 2010 he has been an Associate Director of the National Theatre. Dramaturgy for the NT includes: Earthquakes in London, Greenland, Double Feature, 13, Antigone, The Doctor's Dilemma, Timon of Athens and This House. From 2006-2010, Ben was the Associate Director of Headlong. Work commissioned and developed includes Lucy Prebble's award-winning ENRON (Chichester, Royal Court, West End and Broadway, 2009-10); King Lear (Young Vic and Liverpool Everyman, 2007-08); and Stephen Adly Guirgis' The Last Days of Judas Iscariot (Almeida, 2007). Other work for the theatre includes dramaturgy on Complicite's A Disappearing Number (Barbican and International Tour 2008-09), which won the Olivier, Evening Standard and Critics' Circle awards for Best Play.