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This book redirects the intercultural debate by privileging the actor's creative process. Original interviews illuminate how the intersection of technique, memory, and imagination manifests in actor training and intercultural performance. Ultimately, this study reassesses the meanings of intercultural embodiment onstage.

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Produktbeschreibung
This book redirects the intercultural debate by privileging the actor's creative process. Original interviews illuminate how the intersection of technique, memory, and imagination manifests in actor training and intercultural performance. Ultimately, this study reassesses the meanings of intercultural embodiment onstage.


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Autorenporträt
Cláudia Tatinge Nascimento is an artist-scholar from Rio de Janeiro, with a particular interest in experimental performance. Her articles appear internationally in journals such as A[l]berto and Folhetim (Brazil), Biblioteca Teatrale (Italy), Didaskalia (Poland), Studia Dramatica (Romania), and TDR and Theatre Research International (United States). A professor and chair of the Theater and Dance Department at Macalester College, she is also the author of After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation (Routledge, 2019).