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Marc Chénetier's study of Richard Brautigan, originally published in 1983, was the first book to attempt to assess his writing art which, far from weakening over the years, had become, amid critical indifference, more secure in its techniques, more all-encompassing in its strategy and more iconoclastic in its goals.

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Marc Chénetier's study of Richard Brautigan, originally published in 1983, was the first book to attempt to assess his writing art which, far from weakening over the years, had become, amid critical indifference, more secure in its techniques, more all-encompassing in its strategy and more iconoclastic in its goals.


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