The Devil's Mask: A Halloween Feast of Shadows and Temptation (The Demon's Bargain Series, #2) (eBook, ePUB)
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Year Two after the Pact, the city wears ash like etiquette. Bells don't ring; ropes only clear their throats. Wardens trade staves for beams, devils patch roofs with horns wrapped in linen, and children carry bricks before they learn fractions. Elias, a schoolmaster with a ledger that won't lie, keeps the peace practical: price bread fair, turn mirrors to the wall, teach doors before knives. At his throat: a leather knot. On his hand: a black wax ring that remembers heat. Some nights the candle lights itself.Across the seam, Malachar-envoy-turned-devil, now a coal of patient warmth-guards with...
Year Two after the Pact, the city wears ash like etiquette. Bells don't ring; ropes only clear their throats. Wardens trade staves for beams, devils patch roofs with horns wrapped in linen, and children carry bricks before they learn fractions. Elias, a schoolmaster with a ledger that won't lie, keeps the peace practical: price bread fair, turn mirrors to the wall, teach doors before knives. At his throat: a leather knot. On his hand: a black wax ring that remembers heat. Some nights the candle lights itself.
Across the seam, Malachar-envoy-turned-devil, now a coal of patient warmth-guards without hands. He runs heat along pipes, loosens cruel hinges, and embarrasses violence into paperwork. After a rite misfires-one kiss burning Lucien from the world and stealing Malachar into shadow-he seals the Hollow Gate with the cost doors always demand: the part of him that believed knives could make law obey. What remains is use, not spectacle.
Dragged before the tilted Court of Ash, Elias confesses the oldest devil-crime-love-and answers with policy. The Requiem Pact is inked in chalk and breath: no blood tithes, no mirrors pretending to be doors, no rites that buy order with flesh; markets with fair weights; wages for children who carry bricks. Midnight grants twelve breaths of voice-only voice-and Malachar spends them to steady the hinge of Elias's jaw: discipline over hunger, vow over myth.
In a cage of mirrors and a collar of glass, Malachar relearns language by rhythm-knock, breath, pause-while Elias builds daylight rules that hold. Their marriage-iron band sleeved in black wax, sealed under a guardian clause-works like a shop, not a shrine. Kisses become tools: through glass, across stone, under falling ash.
Winter demands a final answer. In the cracked hall, Elias opens the seam a hand and, with Malachar, stitches instead of conquers. The door learns smallness without shame; the last kiss is function before frenzy-and heat as vow. Malachar's body dissolves; his heart remains, a red coal beneath streets and bench-legs, keeping ink from freezing and knives from feeling brave. Dawn brings no trumpet, only simpler mercies: fair measures, steady ladders, wardens bored enough to be kind, children paid in coin, a teacher who smiles once with no witnesses.
Far from the square, a stranger strikes flint. The black wick rises before the spark lands. Flame stands as if called. A whisper threads the seam that never learned to stop listening: "The third Halloween begins..."
Across the seam, Malachar-envoy-turned-devil, now a coal of patient warmth-guards without hands. He runs heat along pipes, loosens cruel hinges, and embarrasses violence into paperwork. After a rite misfires-one kiss burning Lucien from the world and stealing Malachar into shadow-he seals the Hollow Gate with the cost doors always demand: the part of him that believed knives could make law obey. What remains is use, not spectacle.
Dragged before the tilted Court of Ash, Elias confesses the oldest devil-crime-love-and answers with policy. The Requiem Pact is inked in chalk and breath: no blood tithes, no mirrors pretending to be doors, no rites that buy order with flesh; markets with fair weights; wages for children who carry bricks. Midnight grants twelve breaths of voice-only voice-and Malachar spends them to steady the hinge of Elias's jaw: discipline over hunger, vow over myth.
In a cage of mirrors and a collar of glass, Malachar relearns language by rhythm-knock, breath, pause-while Elias builds daylight rules that hold. Their marriage-iron band sleeved in black wax, sealed under a guardian clause-works like a shop, not a shrine. Kisses become tools: through glass, across stone, under falling ash.
Winter demands a final answer. In the cracked hall, Elias opens the seam a hand and, with Malachar, stitches instead of conquers. The door learns smallness without shame; the last kiss is function before frenzy-and heat as vow. Malachar's body dissolves; his heart remains, a red coal beneath streets and bench-legs, keeping ink from freezing and knives from feeling brave. Dawn brings no trumpet, only simpler mercies: fair measures, steady ladders, wardens bored enough to be kind, children paid in coin, a teacher who smiles once with no witnesses.
Far from the square, a stranger strikes flint. The black wick rises before the spark lands. Flame stands as if called. A whisper threads the seam that never learned to stop listening: "The third Halloween begins..."
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