The Beauty of Communication in the Qur'anic Discourse: Meccan and Medinan (eBook, ePUB)
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The persistent pursuit of Qur'anic studies revolves around the possibility of reaching the greatest possible reception of the secrets of this great book at the highest levels: contemplating the beauty of what reaches us in terms of the precision of the wording, the eloquence of the meaning, and the comprehensiveness of the discourse. For example, when we read the Almighty's saying: "Allah has sent down the best statement, a consistent Book, repeated [in parts]. The skins of those who fear their Lord shiver at it. Then their skins and their hearts soften at the remembrance of Allah. That is the...
The persistent pursuit of Qur'anic studies revolves around the possibility of reaching the greatest possible reception of the secrets of this great book at the highest levels: contemplating the beauty of what reaches us in terms of the precision of the wording, the eloquence of the meaning, and the comprehensiveness of the discourse. For example, when we read the Almighty's saying: "Allah has sent down the best statement, a consistent Book, repeated [in parts]. The skins of those who fear their Lord shiver at it. Then their skins and their hearts soften at the remembrance of Allah. That is the guidance of Allah; He guides thereby whom He wills. And he whom Allah sends astray - for him there is no guide." [Az-Zumar] 23] We realize that the specificity of this discourse reaches a special impact resulting from a set of communicative models that lead to it, which every scholar of the Holy Quran has tried and continues to try to interpret since its revelation until God inherits the earth and those upon it. The study relied on linking the communicative foundations of Quranic discourse and text to both the Meccan and Medinan contexts, and the dimensions and characteristics of each in particular, and studying models of them in the surahs: Ibrahim, Muhammad, Al-Alaq, and Al-Bayyinah, according to the communicative aesthetics represented by the harmony between the surahs' names, their openings, and their endings, as well as the communicative structure of each.
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