Charles Altieri

eBook, PDF

The Art of Twentieth-Century American Poetry (eBook, PDF)

Modernism and After

Beschreibung

Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems.

• Encourages readers to identify with the modernists' sense of the revolutionary possibilities of their art.
• Embraces four generations of modernist American poets up through to the 1980s.
• Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry.
• Includes close readings of particular poems which show how readers can use these works to connect with what concerns them.

Technische Details

• Geräte: PC
• mit Kopierschutz
• Größe: 0.73MB

Barrierefreiheit

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Autor

Charles Altieri is Stageberg Professor of English at the University of California, Berkeley. His previous publications include The Particulars of Rapture: An Aesthetics of the Affects (2003), Subjective Agency: A Theory of First-person Expressivity and its Social Implications (Blackwell, 1994), Postmodernism Now (1999), and Painterly Abstraction in Modernist American Poetry (1990).

Produktdetails

• Verlag: John Wiley & Sons
• Erscheinungstermin: 8. Mai 2008
• Englisch
• ISBN-13: 9781405152273
• Artikelnr.: 38280710

Rezensionen

"Altieri's powerful readings [are] excellent analysesof poems by Oppen and Bishop, as well as by a host of others,[that] offer insights both into the details of the texts and thewider intellectual issues at stake, while the book'sdiffering vocations come together powerfully when it analyses theself-projections of 'Prufrock.'" (Year's Workin English Studies, November 2008)

"Altieri is thoroughly captivating, especially when his precise,synthetic, and innovative interpretations focus on beloved poetssuch as T.S. Eliot, Marianne Moore, Wallace Stevens, W.H. Auden,Elizabeth Bishop and John Ashbery."
(The Wallace Stevens Journal)"Altieri reads modernist poetry with deep attention and pleasurebecause he believes that the "gamble"

taken bymodernism is worth our continued respect. That gamble is thepossibility that these poems are not "an accompaniment to theworld but the realization of how mind and world become one dynamicfield." Situating the experiments of modernist poetry in thecontext of early 20th-century scientific and philosophicaldevelopments, particularly in the understanding of sensation andperception, Altieri proposes the emergence of a "newrealism." This new realism has consequences for theintellectual and affective dimensions of poetry, for the conceptionof the poet as the seeing "I," and for the kind ofattention readers bring to a poem. The book traces a historyranging from the "impersonal" experiments of highmodernism (Pound, Williams, Eliot, Loy, Moore and Stevens) to poemsthat construct new kinds of social identities (Zukofsky, Oppen,Hughes, and Auden) and, finally, to a range of later poets who, invarious ways, interrogate the costs and limits of impersonality(Lowell, Rich, Creeley, Bishop, Ashbery). Offering lucid analysesof major poets, The Art of Twentieth-Century American Poetrydemonstrates how reading a poem can be an exhilarating way ofengaging with the world."
-Gail McDonald, University of NorthCarolina-Greensboro

"Charles Altieri has the almost uncanny capacity tosynthesize complex entities, such as the entire body of poetry of amajor figure or the fraught interplay of a poetic movement, into aseries of clear and incisive philosophical statements. It's notthat he reduces poetry to philosophy--in fact, he gives manysensitive readings of individual poems--but that he is able toferret out what is most crucially at stake in modern poetry and topresent it crisply and succinctly. No one does a better job thanAltieri of showing how much modern poetry has to contribute to anunderstanding of modern life."
-Stephen Fredman, University of Notre Dame

"The close readings of sometimes quite familiar poems arefresh and provocative, and the argument is one that makes avaluable contribution to our understanding of the legacy of themajor modernist poets."
-Christopher MacGowan, College of William and Mary