Symbol and symbolism in contemporary poetry (eBook, ePUB)
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The subject of this study is one of the pioneering studies that dealt with "Symbol and Symbolism in Contemporary Poetry." Symbolism here is understood in the narrow artistic sense, that is, as a method of literary performance that relies on suggesting and arousing thoughts and feelings rather than stating, naming, or describing them. Symbolism has only been known in this suggestive manner. In the second half of the nineteenth century, and specifically when an idealist trend emerged in France, its aesthetic origins were guided by the summary of what German idealist philosophy had reached, with ...
The subject of this study is one of the pioneering studies that dealt with "Symbol and Symbolism in Contemporary Poetry." Symbolism here is understood in the narrow artistic sense, that is, as a method of literary performance that relies on suggesting and arousing thoughts and feelings rather than stating, naming, or describing them. Symbolism has only been known in this suggestive manner. In the second half of the nineteenth century, and specifically when an idealist trend emerged in France, its aesthetic origins were guided by the summary of what German idealist philosophy had reached, with regard to the work of art and its relationship with reality. It was also inspired in its formulation characteristics by the philosophy of literary creation according to "Edgar Allan Poe" and the elements Musical expression as manifested in the works of the German composer Wagner. These are the elements whose suggestive energy the Symbolists tried to emulate through poetic composition in the hope of overcoming the poverty of linguistic sources. The subject of this study is restricted - from the beginning - to the beginning of the second quarter of the twentieth century, and then it extends until that period in which this research entered the planning and formulation phase. Understanding contemporaryity - from the author's point of view - is governed by two foundations: cultural and artistic. Arab culture, despite its contact with culture Since the beginning of the nineteenth century, this friction has remained outside the boundaries of literary influence in its systematic, organized sense.
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