Nuove Musiche 6/2019 (eBook, PDF)
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In questo numero:Cyberbored/Culture-Jammed: The Short-Circuit of Musical Progress Max Erwin«Machines Can Only Dream of Mistakes». The One-Bit Music of Tristan Perich Matthew SargentMediations and Voice-Body Technologies in The Stage Works of Du Yun Francesca PlacanicaHyper as a Principle: Process and Error in the Work of Composer Alexander Schubert Monika Voithofer«As if you were holding a bike handle». Malin Bång’s transformation of the everyday into music Julia H. SchröderTime is on my side Marco Ligabue“Forma formans”. An investigation into the forms of time in Francesco...
In questo numero:
Cyberbored/Culture-Jammed: The Short-Circuit of Musical Progress
Max Erwin
«Machines Can Only Dream of Mistakes». The One-Bit Music of Tristan Perich
Matthew Sargent
Mediations and Voice-Body Technologies in The Stage Works
of Du Yun
Francesca Placanica
Hyper as a Principle: Process and Error in the Work of Composer Alexander Schubert
Monika Voithofer
«As if you were holding a bike handle». Malin Bång’s transformation of the everyday into music
Julia H. Schröder
Time is on my side
Marco Ligabue
“Forma formans”. An investigation into the forms of time
in Francesco Filidei’s music
Ingrid Pustijanac
Cyberbored/Culture-Jammed: The Short-Circuit of Musical Progress
Max Erwin
«Machines Can Only Dream of Mistakes». The One-Bit Music of Tristan Perich
Matthew Sargent
Mediations and Voice-Body Technologies in The Stage Works
of Du Yun
Francesca Placanica
Hyper as a Principle: Process and Error in the Work of Composer Alexander Schubert
Monika Voithofer
«As if you were holding a bike handle». Malin Bång’s transformation of the everyday into music
Julia H. Schröder
Time is on my side
Marco Ligabue
“Forma formans”. An investigation into the forms of time
in Francesco Filidei’s music
Ingrid Pustijanac
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