Elisa New

eBook, PDF

New England Beyond Criticism (eBook, PDF)

In Defense of America¿s First Literature

Beschreibung

NEW ENGLAND BEYOND CRITICISM "Elisa New's book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively, brilliant, evocative, and supremely intelligent prose." Charles F. Altieri, University of California "Elisa New is a refreshing voice among critics and historians of literature. She has a keen sense of the nature of New England and its deep spiritual resources, reaching back to the Puritans, moving through the great nineteenth-century expressions of interior landscapes and visions. This is a book I welcome and celebrate." Jay Parini, Middlebury College Literary criticism of the past thirty years has undercut what the canonizers of the nineteenth and early twentieth centuries saw as the fundamental role of early New England in the development of American literary culture. And yet, a determination in literary circles to topple perceived Ivy League elitism and Protestant cultural creationism overlooks the continuing value, beauty, and even practical utility of a canon still cherished by lay readers around the world. This Manifesto raises questions about how academic specialization and the academic study of New England have affected enthusiasm for reading. Using a range of interpretive practices, including those most often deployed by contemporary academic critics, Elisa New cuts across firmly established subfields, mixing literary exegesis with autobiographical reflection, close reading with cultural history, archival and antiquarian inquiry with experiments in style, and lays bare editorial orthodoxies, raising to question the whole hierarchy of values now governing the study of American and other literatures. Taking New England as a test case for a wider, more accessible set of critical practices, New England Beyond Criticism demands that the domain of literary study be opened further to the tastes of the general reader.

Technische Details

• Geräte: PC
• mit Kopierschutz
• Größe: 2.13MB

Barrierefreiheit

• Text-to-Speech

Autor

Elisa New is Powell M. Cabot Professor of American Literature and Language at Harvard University, USA. She is the author of The Regenerate Lyric: Theology and Innovation in American Poetry (2009), Jacob's Cane: A Jewish Family's Journey from the Four Lands of Lithuania to the Ports of London and Baltimore (2009), and The Line's Eye: Poetic Experience, American Sight (1999).

Produktdetails

• Verlag: John Wiley & Sons
• Erscheinungstermin: 17. März 2014
• Englisch
• ISBN-13: 9781118854563
• Artikelnr.: 40614720

Rezensionen

"Elisa New is a refreshing voice among critics and historians of literature. She has a keen sense of the nature of New England and its deep spiritual resources, reaching back to the Puritans, moving through the great nineteenth-century expressions of interior landscapes and visions. Her readings strike me as passionate, original, and very much at odds with a good deal that is now being said in academic circles. To say she is eccentric means, quite literally, that she stands outside of the center. In this, she seems in keeping with her Puritan fathers and mothers, those dark visionaries who gave birth to Hawthorne, Emerson, Thoreau, Dickinson, and others. This is a book I welcome and celebrate."
--Jay Parini, Middlebury

College

"Elisa New's book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively and brilliant and evocative and supremely intelligent prose."
--Charles F. Altieri, University of California, Berkeley

"Lisa New's book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively and brilliant and evocative and supremely intelligent prose. New recognizes the force of criticism's critiques of traditional claims for the importance of New England writing in the shaping of America's images of itself. But she also recognizes how criticism tends to be limited by its academic protocols, so it cannot fully address the urgency of this writing to appeal to the full human being, hungry for meaning and idealization and passion challenged continually by that social reality on which the critics concentrate. New develops a critical stance fully responsive to what she calls the texts' "powers" as they seek to come to terms with demands for conversion, challenges to imagine how people produce values, and the constant worry that these very ambitions may lead imaginations to cross borders where terror seems the dominant affective register."
--Charles F. Altieri, University of California, Berkeley