Nagy Plays: 1 (eBook, PDF)
Weldon Rising; Disappeared; The Strip; Butterfly Kiss
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"Young playwrights don't come much hotter than Phyllis Nagy" (Daily Telegraph)Includesher three Royal Court -performed plays Weldon Rising "Here is the bestnew play I have seen in many months...This play is exciting because itis well written, unusually constructed and morally serious." (FinancialTimes); in Butterfly Kiss "Nagy captures the texture of a life andwrites short, vivid, often disturbingly erotic scenes...it's a playthat leaves me proclaiming Nagy a writer of real talent" (Guardian),Disappeared (winner of the Mobil Prize,1995) "A piece that gets rightunder your skin...There's no neat...
"Young playwrights don't come much hotter than Phyllis Nagy" (Daily Telegraph)
Includes
her three Royal Court -performed plays Weldon Rising "Here is the best
new play I have seen in many months...This play is exciting because it
is well written, unusually constructed and morally serious." (Financial
Times); in Butterfly Kiss "Nagy captures the texture of a life and
writes short, vivid, often disturbingly erotic scenes...it's a play
that leaves me proclaiming Nagy a writer of real talent" (Guardian),
Disappeared (winner of the Mobil Prize,1995) "A piece that gets right
under your skin...There's no neat solution to Nagy's conundrum, just a
fog of fear, despair, and most remarkably of all, a final mirage of
escape. Spine-tingling stuff" (Daily Telegraph) The Strip,
"kaleidoscopic and hugely accomplished dissection of fate, love and
chance" (Independent)
"Each play I see by Phyllis Nagy confirms
me in the belief that she is the finest playwright to have emerged in
the 1990s" (Financial Times)
Includes
her three Royal Court -performed plays Weldon Rising "Here is the best
new play I have seen in many months...This play is exciting because it
is well written, unusually constructed and morally serious." (Financial
Times); in Butterfly Kiss "Nagy captures the texture of a life and
writes short, vivid, often disturbingly erotic scenes...it's a play
that leaves me proclaiming Nagy a writer of real talent" (Guardian),
Disappeared (winner of the Mobil Prize,1995) "A piece that gets right
under your skin...There's no neat solution to Nagy's conundrum, just a
fog of fear, despair, and most remarkably of all, a final mirage of
escape. Spine-tingling stuff" (Daily Telegraph) The Strip,
"kaleidoscopic and hugely accomplished dissection of fate, love and
chance" (Independent)
"Each play I see by Phyllis Nagy confirms
me in the belief that she is the finest playwright to have emerged in
the 1990s" (Financial Times)
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