Drawn from Life (eBook, PDF)
Issues and Themes in Animated Documentary Cinema
Redaktion: Murray, Jonathan; Ehrlich, Nea
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The first anthology to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectivesRunner-Up for the BAFTSS - Best Edited Collection Award 2020!Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range o...
The first anthology to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives
- Runner-Up for the BAFTSS - Best Edited Collection Award 2020!
Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike:
- Why use animation to document?
- How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political?
From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.
Key Features
- Defines the central characteristics of the animated documentary film
- Challenges and extends orthodox definitions of documentary cinema as well as animation
- Surveys a diverse range of film works, genres, production techniques, historical eras and cultural contexts
Contributors
- Nea Ehrlich, Ben Gurion University of the Negev
- Leon Gurevitch, University of Wellington.
- Jonathan Hodgson, Middlesex University
- Nanette Kraaikamp, Drawing Centre Diepenheim
- Pascal Lefèvre, LUCA School of Arts
- Lawrence Thomas Martinelli, University of Pisa
- Mihaela Mihailova, University of Michigan.
- Samantha Moore, University of Wolverhampton
- Jonathan Murray, Edinburgh College of Art, University of Edinburgh
- Sheila M. Sofian, University of Southern California.
- Paul Ward, University Bournemouth
- Andrew Warstat, Manchester School of Art, Manchester Metropolitan University
- Paul Wells, Loughborough University
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