Yellow After the Rain
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. "Yellow After the Rain" is a composition for solo marimba, written by former Los Angeles Philharmonic principal percussionist Mitchell Peters. Peters reportedly wrote the work for his own private students, for whom he was unable to find musically interesting material that introduced four-mallet techniques.[citation needed] The work is modal and employs many basic skills, introduced in a sequential manner. After a metrically deceptive introduction, the main theme is st...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. "Yellow After the Rain" is a composition for solo marimba, written by former Los Angeles Philharmonic principal percussionist Mitchell Peters. Peters reportedly wrote the work for his own private students, for whom he was unable to find musically interesting material that introduced four-mallet techniques.[citation needed] The work is modal and employs many basic skills, introduced in a sequential manner. After a metrically deceptive introduction, the main theme is stated in the right hand, with left hand accompaniment. This is immediately followed by a repeat of the melody with the left hand taking over the tune and the right hand assuming the accompanimental role. Throughout, the performer is able to maintain a consistent interval in the accompaniment (parallel P4). Chordal rolls form a transition to the work''s exciting "B" section, which utilizes single independent strokes with each hand fixed in the interval of a perfect fifth. The consistency of these intervals allows the performer to concentrate on the wrist and hand motions involved in the strokes without worrying about changing the spatial relationship of the mallets.
