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X-Factor by Peter David Omnibus Vol. 1 Larry Stroman Cover [New Printing]
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Peter David is one of the industry&rsquo s most prolific and versatile writers whose record-breaking stint on Incredible Hulk remains a fan-favorite to this day. His similarly long-running &mdash and critically acclaimed &mdash association with X-Factor began in the early 1990s and continued in 2005. His other Marvel work includes Captain Marvel, two lengthy stints on Spider-Man 2099, Ben Reilly: Scarlet Spider and the smash-hit Symbiote Spider-Man limited series with artist Greg Land. David is also a novelist and screenwriter. Among his credits are some forty Star Trek tie-ins original novels...
Peter David is one of the industry&rsquo s most prolific and versatile writers whose record-breaking stint on Incredible Hulk remains a fan-favorite to this day. His similarly long-running &mdash and critically acclaimed &mdash association with X-Factor began in the early 1990s and continued in 2005. His other Marvel work includes Captain Marvel, two lengthy stints on Spider-Man 2099, Ben Reilly: Scarlet Spider and the smash-hit Symbiote Spider-Man limited series with artist Greg Land. David is also a novelist and screenwriter. Among his credits are some forty Star Trek tie-ins original novels such as Sir Apropos of Nothing, Howling Mad and Knight Life movies Trancers 4 and Trancers 5 and episodes of Babylon 5 and Crusade. He also co-created the TV show Space Cases with actor-writer Bill Mumy.
Larry Stroman penciled X-Factor during the early &rsquo 90s before beginning work on his creator-owned title Tribe. His work on notable comics characters includes Uncanny X-Men, Black Panther and the Heroes Reborn version of Iron Man for Marvel DC&rsquo s Darkstars and Wildstorm&rsquo s WildC.A.T.s. Stroman recently returned to the pages of X-Factor, re-teaming with author Peter David for a well-received story arc.
Sure, Dale Keown&rsquo s first work for Marvel came on the not quite illustrious Nth Man, the Ultimate Ninja &ndash but that wouldn&rsquo t be the title for which he would earn his richly deserved reputation as one of modern comics&rsquo most exciting stylists. That honor would go to his run on Incredible Hulk &ndash where, paired with writer Peter David, he would help take the gamma-irradiated character&rsquo s title to the zenith of its popular and creative acclaim. Keown left Hulk following a phenomenal three-year run to head to Image, where he created the memorable Pitt comic and character. Since then, he has contributed art to The Darkness (Image) and re-teamed with Peter David on the one-shot Hulk: The End. 
Joe Quesada became Marvel&rsquo s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. He is now Marvel&rsquo s chief creative officer. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada&rsquo s reputation as both artist and publisher led to the founding of Marvel&rsquo s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights&rsquo critical and sales success led to Quesada&rsquo s appointment as editor in chief. In addition to overseeing Marvel&rsquo s creative output, Quesada remains an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man &ldquo One More Day&rdquo crossover.
Larry Stroman penciled X-Factor during the early &rsquo 90s before beginning work on his creator-owned title Tribe. His work on notable comics characters includes Uncanny X-Men, Black Panther and the Heroes Reborn version of Iron Man for Marvel DC&rsquo s Darkstars and Wildstorm&rsquo s WildC.A.T.s. Stroman recently returned to the pages of X-Factor, re-teaming with author Peter David for a well-received story arc.
Sure, Dale Keown&rsquo s first work for Marvel came on the not quite illustrious Nth Man, the Ultimate Ninja &ndash but that wouldn&rsquo t be the title for which he would earn his richly deserved reputation as one of modern comics&rsquo most exciting stylists. That honor would go to his run on Incredible Hulk &ndash where, paired with writer Peter David, he would help take the gamma-irradiated character&rsquo s title to the zenith of its popular and creative acclaim. Keown left Hulk following a phenomenal three-year run to head to Image, where he created the memorable Pitt comic and character. Since then, he has contributed art to The Darkness (Image) and re-teamed with Peter David on the one-shot Hulk: The End. 
Joe Quesada became Marvel&rsquo s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. He is now Marvel&rsquo s chief creative officer. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada&rsquo s reputation as both artist and publisher led to the founding of Marvel&rsquo s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights&rsquo critical and sales success led to Quesada&rsquo s appointment as editor in chief. In addition to overseeing Marvel&rsquo s creative output, Quesada remains an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man &ldquo One More Day&rdquo crossover.