Writings on Art and Poetical Theory - Pessoa, Fernando
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Writings on Art and Poetical Theory contains a selection of Fernando Pessoa's writings (or those of his heteronyms) on art and poetical theory, originally written in English. In Pessoa's oeuvre one finds not only literary and fictional works but also a multiplicity of theoretical texts on the most diverse subjects concerning artistic movements, literature, and writers. In this book, we witness Pessoa explore, through various heteronyms, general theories on poetics, the poetries of other heteronyms, the uses and abuses of criticism, and more. Also included are essays on sensationism (an…mehr

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Produktbeschreibung
Writings on Art and Poetical Theory contains a selection of Fernando Pessoa's writings (or those of his heteronyms) on art and poetical theory, originally written in English. In Pessoa's oeuvre one finds not only literary and fictional works but also a multiplicity of theoretical texts on the most diverse subjects concerning artistic movements, literature, and writers. In this book, we witness Pessoa explore, through various heteronyms, general theories on poetics, the poetries of other heteronyms, the uses and abuses of criticism, and more. Also included are essays on sensationism (an aesthetic movement Pessoa dubs a new species of Weltanschauung), translation, and a brief history of English literature, which is comprised of fragments on Shakespeare, Milton, the British Romantics, Dickens, Wilde, and others, as well as additional material, such as Pessoa's own poem Antinous. This edition, prepared by Nuno Ribeiro and Cláudia Souza, allows us to have an overview of Pessoa's writings on art and poetic theory - most of which are presented here for the first time to English readers -, thus opening the way for future studies on one of the most significant authors of Portuguese modernism.
Autorenporträt
Fernando Pessoa is one of the great poets of the 20th Century, and is still something of a mystery to readers outside Portugal and Brazil, where his work has been elevated to classic status. Most puzzling for his readers, perhaps, is the fact that Pessoa wrote under a series of of other names-heteronyms, as he called them-and confusingly also under the 'orthonym' Fernando Pessoa, who is not the same person as the man born with that name. The major poetic heteronyms are Caeiro, Campos and Ricardo Reis, but Pessoa had a whole range of others: journalists, prose-writers, essayists, as well as two English poets in the form of Charles Robert Anon and Alexander Search, heteronyms used by Pessoa before the break-through year of 1914, when Reis, Caeiro and Campos all came into existence. Little of his work was published in book form during his lifetime: two slim volumes of English verse and the mature collection Mensagem (Message), but he left a trunk full of manuscripts and fragments-some 25,000 all told-and these have been mined by scholars ever since.