we are not ready for what we are
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praise for ash good's previous work ". . . a voice as spare and natural as Gary Snyder's, as insightful and alchemical as Rumi's . . ." --gail wronsky, author of so quick bright things ". . . sense-rich, threshold-crossing, body wise . . . utterly alive, tough, lyrical, concrete always, sensual always . . . " --micheal ventura, editor, lettersat3ampress ". . . Frank O'Hara reincarnated as some female Kerouac vision-questress rolling through the West." --Sarah Maclay, co-author of music for the black room "Biographically naked and humane . . . You realize this is not a tell-all aesthetic, but a...
praise for ash good's previous work ". . . a voice as spare and natural as Gary Snyder's, as insightful and alchemical as Rumi's . . ." --gail wronsky, author of so quick bright things ". . . sense-rich, threshold-crossing, body wise . . . utterly alive, tough, lyrical, concrete always, sensual always . . . " --micheal ventura, editor, lettersat3ampress ". . . Frank O'Hara reincarnated as some female Kerouac vision-questress rolling through the West." --Sarah Maclay, co-author of music for the black room "Biographically naked and humane . . . You realize this is not a tell-all aesthetic, but a practice of the self's spiritual stripping." --karen kevorkian, author of Lizard Dream " . . . an invigorating addition to the canon-yet-to-be of West Coast poets that has been shaped by Eloise Klein Healy, Sharon Doubiago, Judy Grahn and Philip Whalen." --bill mohr, author of hidden proofs & vehemence
