War in Heaven
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Of the three Inkling fantasy writers Charles Williams is the least known and appreciated. Yet, his series of supernatural fantasy novels are every bit as interesting and original as the books by C. S. Lewis and J. R. R. Tolkien. This is the first of the seven novels written by Charles Williams. (He did start one other but abandoned it after three chapters owing to a lukewarm reception by his fellow Inklings.) "War In Heaven" is quite an opening debut. Rather than creating a unique secondary fantasy world or shifting between two universes, Williams allows the supernatural to invade his contempo...
Of the three Inkling fantasy writers Charles Williams is the least known and appreciated. Yet, his series of supernatural fantasy novels are every bit as interesting and original as the books by C. S. Lewis and J. R. R. Tolkien. This is the first of the seven novels written by Charles Williams. (He did start one other but abandoned it after three chapters owing to a lukewarm reception by his fellow Inklings.) "War In Heaven" is quite an opening debut. Rather than creating a unique secondary fantasy world or shifting between two universes, Williams allows the supernatural to invade his contemporary world. This allows him to explore the impact of a different reality on different characters.... (Richard) More about bout Charles Williams WILLIAMS, Charles Walter Stansby (1886-1945), author and scholar, was born in London 20 September 1886, the only son of Richard Walter Stansby Williams, clerk, of Islington, by his wife, Mary, daughter of Thomas Wall, cabinet maker, of London. He was educated at St. Albans School and at University College, London. In 1908 Williams joined the Oxford University Press as a reader, and remained a member of the staff, increasingly valued and much beloved, until his death. His duties, however, as literary adviser in a publisher's office, although carried out with enthusiasm and wisdom, occupied a relatively small place in his life. In 1912 he published his first book of verse, The Silver Stair, and, for the next thirty-three years, wrote, lectured and conversed with a tireless and brilliant energy. In that time he produced, apart from anthologies, a number of prefaces, and a rarely interrupted series of reviews, over thirty volumes of poetry, plays, literary criticism, fiction, biography, and theological argument. ... About the relative importance of Williams's many books opinion must always differ. It is safe to say that the fullest expression of his mature views is to be found in criticism in The English Poetic Mind (1932), Reason and Beauty in the Poetic Mind (1933), and The Figure of Beatrice (1943): in poetry and drama in Taliessin through Logres (1938), The Region of the Summer Stars (1944) and Thomas Cranmer of Canterbury (the Canterbury Festival play for 1936): and in theology in He Came Down from Heaven (1938) and The Descent of the Dove (1939). Among his biographical works the most notable are Bacon (1933), James I (1934), Rochester (1935) and Queen Elizabeth (1936); and among his novels War in Heaven (1930), The Place of the Lion (1931), Many Dimensions (1931), Descent into Hell (1937) and All Hallows' Eve (1945). (G. W. S. Hopkins)
