Deepen your quilt artistry by creating quilts in a series This inspiring guide from art quilter Elizabeth Barton is for quilt artists who have mastered the basics and want to explore deeper levels of creativity and skill. Learn how making a series of quilts can help you generate more ideas, find new subtleties in favorite subjects, and build a body of work for shows. Packed with hands-on lessons and examples, this book will transform your work and enlarge your creative vision forever. • Creative exercises help you develop your own themes and techniques • Includes huge gallery of more than 200…mehr
Deepen your quilt artistry by creating quilts in a series This inspiring guide from art quilter Elizabeth Barton is for quilt artists who have mastered the basics and want to explore deeper levels of creativity and skill. Learn how making a series of quilts can help you generate more ideas, find new subtleties in favorite subjects, and build a body of work for shows. Packed with hands-on lessons and examples, this book will transform your work and enlarge your creative vision forever. • Creative exercises help you develop your own themes and techniques • Includes huge gallery of more than 200 examples from Elizabeth and other working art quilters • Explains how working in a series elevates creativity and artistic depth Print on Demand Edition. PRINT QUALITY WILL VARY FROM ORIGINAL EDITION: PODs are printed on uncoated (non-glossy) paper and the color may appear more saturated. Information presented is the same as the most recent printed edition. Pattern pullouts (if applicable) have been separated and presented as single pages.
Table of Contents Chapter 1: Thinking Introduction Definition of working in a series Why one should work in a series When should you work in a series How long should a series be Paving the way Chapter 2: Getting to work: finding your theme Begin by looking back Variations on a constant A central idea Themeand variations Form:a simple unit Form:texture: arashi shibori, monoprinting Form:line Content:different views of the same thing Content:nature Content:time Content:narrative Choosingyour best fit Considerthe display Chapter 3: Getting to work: exploring the theme How to work in a series Sequentialor simultaneous Decidingupon a theme Developingparameters Deciding on techniques tracing sketching in pencil sketching in watercolor collage photocopying photographing computer software Chapter 4: Working the Series: discovering art techniques developingintuition strong color schemes and the use of simultaneous contrast value patterns (chiaroscuro, or Notan) applying landscape composition painting guidelines to art the illusion of depth working from photographs, the problems thereof the dynamic quilt focal areas and emphasis underlying structural patterns positive and negative space visual pathways shibui, the power of the mark of the hand Chapter 5: Showing Your Work Qualities to Strive For Originality Attention Getting Strong Composition Communication of Intention Mark of the Hand Good Technique Energy Good From a Distance, Better Close Up Learning from Jurors' Statements Critique Groups End Notes Bibliography About the Author
Table of Contents Chapter 1: Thinking Introduction Definition of working in a series Why one should work in a series When should you work in a series How long should a series be Paving the way Chapter 2: Getting to work: finding your theme Begin by looking back Variations on a constant A central idea Themeand variations Form:a simple unit Form:texture: arashi shibori, monoprinting Form:line Content:different views of the same thing Content:nature Content:time Content:narrative Choosingyour best fit Considerthe display Chapter 3: Getting to work: exploring the theme How to work in a series Sequentialor simultaneous Decidingupon a theme Developingparameters Deciding on techniques tracing sketching in pencil sketching in watercolor collage photocopying photographing computer software Chapter 4: Working the Series: discovering art techniques developingintuition strong color schemes and the use of simultaneous contrast value patterns (chiaroscuro, or Notan) applying landscape composition painting guidelines to art the illusion of depth working from photographs, the problems thereof the dynamic quilt focal areas and emphasis underlying structural patterns positive and negative space visual pathways shibui, the power of the mark of the hand Chapter 5: Showing Your Work Qualities to Strive For Originality Attention Getting Strong Composition Communication of Intention Mark of the Hand Good Technique Energy Good From a Distance, Better Close Up Learning from Jurors' Statements Critique Groups End Notes Bibliography About the Author
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