Understanding Sound Tracks Through Film Theory analyzes all aural aspects of cinema using several approaches: feminism, genre studies, post-colonialism, psychoanalysis, and queer theory. In her analysis of each sound track, Walker brings together film studies, musicology, history, politics, and culture in an accessible yet rigorous way.
Understanding Sound Tracks Through Film Theory analyzes all aural aspects of cinema using several approaches: feminism, genre studies, post-colonialism, psychoanalysis, and queer theory. In her analysis of each sound track, Walker brings together film studies, musicology, history, politics, and culture in an accessible yet rigorous way.
Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.
Inhaltsangabe
General Introduction Part One: Genre Studies Part Two: Postcolonialism Part Three: Feminism Part Four: Psychoanalysis Part Five: Queer Theory Coda Select Filmography Further Perceiving Select Glossary Index
General Introduction Part One: Genre Studies Part Two: Postcolonialism Part Three: Feminism Part Four: Psychoanalysis Part Five: Queer Theory Coda Select Filmography Further Perceiving Select Glossary Index
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