Twin Peaks, a disorder in the double
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David Lynch says to make films "to create a world and to experiment it". With his serial Twin Peaks, (1990) Lynch transgresses the borders of the opposition between the real and the fantastic. By breaking the chains of the logic, by dissimulating certain links of this chain and conversely by exaggerating other links Lynch reveals, without tricks nor special effects, the presence of a parallel universe, occult and supernatural without ever needing to show it. The first images of the serial are revealing of the continuous alternation between a reality and its reversed reflection. Everything begi...
David Lynch says to make films "to create a world and to experiment it". With his serial Twin Peaks, (1990) Lynch transgresses the borders of the opposition between the real and the fantastic. By breaking the chains of the logic, by dissimulating certain links of this chain and conversely by exaggerating other links Lynch reveals, without tricks nor special effects, the presence of a parallel universe, occult and supernatural without ever needing to show it. The first images of the serial are revealing of the continuous alternation between a reality and its reversed reflection. Everything begins with a face in a mirror: nothing is true, everything is an image, we enter a world of appearances, populated by copies unfaithful to the true realities. Lynch instills doubt in a reality of the most trivial and throws a disorder in the double. "The mixture of true and false is enormously more toxic than the pure false. "Paul Valéry.
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