Toccata and Fugue in D minor, BWV 538
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach. Like the more well-known BWV 565, BWV 538 also bears the title Toccata and Fugue in D minor, although it is often referred to by the nickname Dorian - a reference to the fact that the piece is written with a key signature (zero flats) that is not normally used for the key of D minor, and would instead seem to indicate the Dorian mode. However, the two pieces are quite different musi...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach. Like the more well-known BWV 565, BWV 538 also bears the title Toccata and Fugue in D minor, although it is often referred to by the nickname Dorian - a reference to the fact that the piece is written with a key signature (zero flats) that is not normally used for the key of D minor, and would instead seem to indicate the Dorian mode. However, the two pieces are quite different musically. Like the Fantasia and Fugue in C minor, BWV 562, it is nearly monothematic. It opens with a motoric, sixteenth-note motif that continues almost uninterrupted to the end of the piece, and includes unusually elaborate concertato effects. Bach even notates manual changes for the organist, an unusual practice in the day as well as in Bach''s organ output.
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