Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. This work addresses both the history and methodology of the pre-Bach fugue.
Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. This work addresses both the history and methodology of the pre-Bach fugue.
Fugue in the High Renaissance Fugue at the End of the Renaissance, Part I: Italy and the Netherlands Fugue at the End of the Renaissance, Part II: Germany German Theory During the Thirty Years War: Fugue in Latin School Music Texts Italian Influence on German Fugal Theory, 1640-1680 Instrumental Fugue and the Emergence of Fugal Structure in the Third Quarter of the Seventeenth Century Invertible Counterpoint and the Hamburg Circle of Theorists Fugal Theory, 1680-1710 Fugal Theory in German Lexicographic Texts Fugal Theory, 1710-1740; Mattheson and Fux
Fugue in the High Renaissance Fugue at the End of the Renaissance, Part I: Italy and the Netherlands Fugue at the End of the Renaissance, Part II: Germany German Theory During the Thirty Years War: Fugue in Latin School Music Texts Italian Influence on German Fugal Theory, 1640-1680 Instrumental Fugue and the Emergence of Fugal Structure in the Third Quarter of the Seventeenth Century Invertible Counterpoint and the Hamburg Circle of Theorists Fugal Theory, 1680-1710 Fugal Theory in German Lexicographic Texts Fugal Theory, 1710-1740; Mattheson and Fux
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