Theatre and Drama in Francophone Africa
A Critical Introduction
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This study is entirely devoted to African literary drama in French, a major component of African theatre.This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predomin...
This study is entirely devoted to African literary drama in French, a major component of African theatre.
This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first generation playwrights to a more performance-oriented one. The book is divided into two sections: part one offers a theoretical and historical background and part two analyses key individual plays central to the repertoire, including two from the Caribbean. All quotations from play texts are translated into English.
Review quote:
"...contributes much needed scholarship in the field of African theatre and guides us provocatively through the complex relationship between the traditional roots of African theatre and modern West African drama written in French....sheds interesting light on an outstanding corpus of plays dealing with Africa's historical past....essential to students, researchers, and enthusiasts of African and Caribbean studies, and required reading for anyone embarking on a study of African drama and theatre."
Essays in Theatre
"John Conteh-Morgan's book deserves an enthusiastic welcome for filling an intellectual void....the author's style is eminently clear, readable, and free from jargon. Most importantly, because of its thoroughness and its enthusiastic tone, the book ably fulfills its main purpose; any specialist or general reader remotely interested in African theatre will almost certainly be moved to seek out and read the primary texts. Conteh-Morgan has done a valuable service in furnishing both a general background to Francophone theatre and drama and describing some specific landmarks of this undeservedly familiar field....the book makes a solid and unique contribution to the scholarship of world drama."
Theatre Survey
"Conteh-Morgan's discussion of contemporary popular or folk drama is particulalry acute and useful. He brings to a reading audience an appreciation for unscripted drama which employs local allusions in African languages, spontaneous audience involvement in stage actions, and the dramatic presentation of current community concerns."
World Literature Today
"...provid[es] a broad understanding of the work of many major African playwrights, and of the influences that shaped the meaning of those works."
Kenneth W. Harrow, African Arts
"Without any doubt, Theatre and Drama in Francophone Africa is a substantial contribution to the field. The book is not only comprehensive in scope but also marks a shift in the critical approach to the genre."
Lifongo Vetinde, Comparative Drama
Table of contents:
Acknowledgements; Intoduction; Part I. Theoretical and Historical Studies: 1. The traditional context of Francophone drama; 2. From oral performances to modern drama: on the growth and development of a genre; 3. Francophone drama: the thematic dimension; Part II. The Plays: 4. Aimé Césaire: La Tragédie du roi Christophe; Une Saison au Congo; 5. Bernard Dadié: Béatrice du Congo; Iles de Tempête; 6. Cheik Ndao: L'Exil d'Albouri; 7. Jean Pliya: Kondo le requin; 8. Tchicaya U'Tamsi: Le Zulu; 9. Guillaume Oyono-Mbia: Trois prétendants - un mari; 10. Senouvo Zinsou: On joue la comédie; 11. Zadi Zaourou: L'Œil; 12. Werewere Liking: La Puissance d'Um; Conclusion; References; Index.
This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first generation playwrights to a more performance-oriented one. The book is divided into two sections: part one offers a theoretical and historical background and part two analyses key individual plays central to the repertoire, including two from the Caribbean. All quotations from play texts are translated into English.
Review quote:
"...contributes much needed scholarship in the field of African theatre and guides us provocatively through the complex relationship between the traditional roots of African theatre and modern West African drama written in French....sheds interesting light on an outstanding corpus of plays dealing with Africa's historical past....essential to students, researchers, and enthusiasts of African and Caribbean studies, and required reading for anyone embarking on a study of African drama and theatre."
Essays in Theatre
"John Conteh-Morgan's book deserves an enthusiastic welcome for filling an intellectual void....the author's style is eminently clear, readable, and free from jargon. Most importantly, because of its thoroughness and its enthusiastic tone, the book ably fulfills its main purpose; any specialist or general reader remotely interested in African theatre will almost certainly be moved to seek out and read the primary texts. Conteh-Morgan has done a valuable service in furnishing both a general background to Francophone theatre and drama and describing some specific landmarks of this undeservedly familiar field....the book makes a solid and unique contribution to the scholarship of world drama."
Theatre Survey
"Conteh-Morgan's discussion of contemporary popular or folk drama is particulalry acute and useful. He brings to a reading audience an appreciation for unscripted drama which employs local allusions in African languages, spontaneous audience involvement in stage actions, and the dramatic presentation of current community concerns."
World Literature Today
"...provid[es] a broad understanding of the work of many major African playwrights, and of the influences that shaped the meaning of those works."
Kenneth W. Harrow, African Arts
"Without any doubt, Theatre and Drama in Francophone Africa is a substantial contribution to the field. The book is not only comprehensive in scope but also marks a shift in the critical approach to the genre."
Lifongo Vetinde, Comparative Drama
Table of contents:
Acknowledgements; Intoduction; Part I. Theoretical and Historical Studies: 1. The traditional context of Francophone drama; 2. From oral performances to modern drama: on the growth and development of a genre; 3. Francophone drama: the thematic dimension; Part II. The Plays: 4. Aimé Césaire: La Tragédie du roi Christophe; Une Saison au Congo; 5. Bernard Dadié: Béatrice du Congo; Iles de Tempête; 6. Cheik Ndao: L'Exil d'Albouri; 7. Jean Pliya: Kondo le requin; 8. Tchicaya U'Tamsi: Le Zulu; 9. Guillaume Oyono-Mbia: Trois prétendants - un mari; 10. Senouvo Zinsou: On joue la comédie; 11. Zadi Zaourou: L'Œil; 12. Werewere Liking: La Puissance d'Um; Conclusion; References; Index.
