The Visual Is Political
Feminist Photography and Countercultural Activity in 1970s Britain
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Examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed.
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