The Sword of Peace
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"The Sword of Peace; Or, a Voyage of Love" is a comedy in five acts by Mariana Starke, first performed at the Theatre Royal in the Hay Market on August 9th, 1788. This play offers a glimpse into the theatrical landscape of late 18th-century England, showcasing the wit and social commentary characteristic of the period. Mariana Starke, a notable playwright and travel writer, brings her unique perspective to this comedic exploration of love and societal expectations. The play's performance history and its presence in historical records highlight its significance as a cultural artifact, providing...
"The Sword of Peace; Or, a Voyage of Love" is a comedy in five acts by Mariana Starke, first performed at the Theatre Royal in the Hay Market on August 9th, 1788. This play offers a glimpse into the theatrical landscape of late 18th-century England, showcasing the wit and social commentary characteristic of the period. Mariana Starke, a notable playwright and travel writer, brings her unique perspective to this comedic exploration of love and societal expectations. The play's performance history and its presence in historical records highlight its significance as a cultural artifact, providing valuable insights into the dramatic arts and literary tastes of its time. "The Sword of Peace" remains a testament to Starke's contributions to British literature and the enduring appeal of classic comedic drama. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.