The Smythes
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A CLASSIC 1930s COMIC STRIP: The New Yorker’s first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse. Rea Irvin was The New Yorker’s first art editor and creator of the magazine’s iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes—comprised of John, Margie, and their two forgettable children, Willie and Maudie—are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. ...
A CLASSIC 1930s COMIC STRIP: The New Yorker’s first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse. Rea Irvin was The New Yorker’s first art editor and creator of the magazine’s iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes—comprised of John, Margie, and their two forgettable children, Willie and Maudie—are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin’s distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs. The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shaw—who also penned the introduction together—this new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin’s artistic abilities.
