The Second Course of Orthographic Projection
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The Second Course of Orthographic Projection, by William S. Binns, is a detailed exploration of mechanical and engineering drawing techniques as they were understood in the 19th century. This volume serves as a continuation of Binns's new method for teaching the science, delving into more advanced topics. It offers practical insights into the intricacies of drawing, with specific attention to the creation of accurate and informative technical illustrations. The book features comprehensive instructions on the projection of shadows and the principles of shading, crucial elements for creating rea...
The Second Course of Orthographic Projection, by William S. Binns, is a detailed exploration of mechanical and engineering drawing techniques as they were understood in the 19th century. This volume serves as a continuation of Binns's new method for teaching the science, delving into more advanced topics. It offers practical insights into the intricacies of drawing, with specific attention to the creation of accurate and informative technical illustrations. The book features comprehensive instructions on the projection of shadows and the principles of shading, crucial elements for creating realistic and visually clear drawings. Additionally, it provides specific guidance on the design and representation of the teeth of wheels, an essential component in many mechanical systems. This historical text offers modern readers a glimpse into the engineering practices of the past and remains valuable for those interested in the history of technical drawing and engineering education. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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