Broschiertes Buch

The Post-2000 Film Western

Contexts, Transnationality, Hybridity

Herausgegeben: Paryz, M.; Leo, J.

Beschreibung

This collection explores the post-2000 film Western. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today.

Autor

John R. Leo, University of Rhode Island, USA Marek Paryz, University of Warsaw, Poland Shelley Armitage, University of Texas at El Paso, USA Matthew Carter, Manchester Metropolitan University, UK Andrew S. Gross, University of Erlangen-Nürnberg, Germany Emma Hamilton, University of Newcastle, Australia Martin Holtz, Greifswald University Józef Jaskulski, , University of Warsaw, Poland Alexandra Keller, Smith College Rob Kroes, University of Amsterdam, Netherlands Vivian P. Y. Lee, City University of Hong Kong M. Elise Marubbio, Augsburg College, USA Lee Clark Mitchell, Princeton University, USA David Stirrup, University of Kent, UK

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-1-349-50684-2
• 1st ed. 2015
• Seitenzahl: 280
• Erscheinungstermin: 1. Januar 2015
• Englisch
• Abmessung: 216mm x 140mm x 16mm
• Gewicht: 356g
• ISBN-13: 9781349506842
• ISBN-10: 1349506842
• Artikelnr.: 45083174

Rezensionen

'This collection provides an intellectually rich and varied view of the modern condition of what is arguably cinema's oldest genre. American readers will be especially interested in the transnational understanding of the genre that carries their national myth. The introduction by Marek Paryz is theoretically sophisticated, historically astute, and provides an excellent framework for the collection.' - Richard Slotkin, Olin Professor of American Studies Emeritus, Wesleyan University and author of Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America

'This collection is timely and relevant as the Western genre is always in need of new critical blood particularly in the current context of globalisation and transnationalism. The essays here are buzzing with original thinking and engaging, stimulating writing, which sets it apart from most other books in the field.' - Neil Campbell, Professor and Senior Research Fellow in American Studies, University ofDerby and author of Post-Westerns: Cinema, Region, West