The Metaphoric Structure of Paradise Lost
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Originally published in 1962. The rise of "metaphoric" criticism is a reaction against a previous critical preoccupation with psychology and time. Milton spatialized time, thoroughly mastering a metaphoric technique. Professor Cope, after discussing the influences that shaped Milton's aesthetic, systematically examines the structural components of Paradise Lost--light, darkness, and vertical movement--and finds that they imitate, metaphorically, the overall theme of the epic. To test further the implications of his hypothesis, Cope turns to two unsettled points in Miltonic exegesis: Milton's m...
Originally published in 1962. The rise of "metaphoric" criticism is a reaction against a previous critical preoccupation with psychology and time. Milton spatialized time, thoroughly mastering a metaphoric technique. Professor Cope, after discussing the influences that shaped Milton's aesthetic, systematically examines the structural components of Paradise Lost--light, darkness, and vertical movement--and finds that they imitate, metaphorically, the overall theme of the epic. To test further the implications of his hypothesis, Cope turns to two unsettled points in Miltonic exegesis: Milton's muse and the dialogue in Heaven.
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