The Historical Performance of Music
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Offering students and performers a concise overview of historical performance, this book takes into account the many significant developments in the discipline, particularly during the last decade. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an his...
Offering students and performers a concise overview of historical performance, this book takes into account the many significant developments in the discipline, particularly during the last decade. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c. 1700-c. 1900, the core period which forms the principal (though not exclusive) focus for the whole series.
Table of contents:
1. Music as history; 2. The application of primary sources; 3. Changes in musical style; 4. Conditions and practices; 5. Case studies in ensemble music; 6. The continuing debate.
This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices.
An overview of historical performance, surveying current issues, and suggesting future developments.
Table of contents:
1. Music as history; 2. The application of primary sources; 3. Changes in musical style; 4. Conditions and practices; 5. Case studies in ensemble music; 6. The continuing debate.
This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices.
An overview of historical performance, surveying current issues, and suggesting future developments.
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