The Grip Cartoons
Vols. I & Ii, May 1873 To May 1874
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A wickedly witty mirror of a young nation laugh, learn, and linger over the sharp lines that shaped Canadian public opinion. The Grip Cartoons: Vols. I & II, May 1873 to May 1874 collects J. W. Bengough s biting Victorian political cartoons and periodical cartoons originally printed in The Grip, bringing together 19th-century satire that skewers politicians, social mores, and the headlines of a turbulent decade. These pages deliver classic caricatures and vintage comic art that trace the contours of early Canadian journalism and political commentary 1870s from elections and scandals to everyda...
A wickedly witty mirror of a young nation laugh, learn, and linger over the sharp lines that shaped Canadian public opinion. The Grip Cartoons: Vols. I & II, May 1873 to May 1874 collects J. W. Bengough s biting Victorian political cartoons and periodical cartoons originally printed in The Grip, bringing together 19th-century satire that skewers politicians, social mores, and the headlines of a turbulent decade. These pages deliver classic caricatures and vintage comic art that trace the contours of early Canadian journalism and political commentary 1870s from elections and scandals to everyday life rendered with the crisp draughtsmanship and fearless humor that made Bengough a national voice. This edition s historical significance is profound: these satirical art collection pieces are primary witnesses to Canadian history through art, revealing how humor shaped opinion in Victorian era publications. Casual readers will enjoy rollicking humor and pointed visuals; collectors and scholars will treasure the authentic ink, timing, and cultural context of each plate. Key selling points: This book was out of print for decades and is now republished by Alpha Editions. It has been restored for today s and future generations. This edition is not just a reprint it s a collector s item and a cultural treasure. Perfect for fans of historical Canadian humor, classic caricatures, and anyone fascinated by the power of satire, this volume revives a landmark of satirical art and early Canadian journalism for modern shelves.
