"With its laser-sharp satire, its delicious set pieces in both rich and poor neighborhoods-a co-op board meeting, a Harlem food pantry and more-and its portrait of a restive city torn apart by inequality, resentment and excess, The Doorman naturally invites comparison to The Bonfire of the Vanities, Tom Wolfe's lacerating dissection of New York in the 1980s . . . But Pavone's humor is more humane, his sympathy for the characters' struggles and contradictions more acute. With his eye for absurdity and ear for nuance, he seems as if he's writing not from some elevated place high above the city, but from within it."
-Sarah Lyall, The New York Times
"Mr. Pavone has written an outstanding book full of
sociological detail and pulsing with the passions and prejudices of the times in which we live."
-Tom Nolan,
The Wall Street Journal"[A] politically attuned thriller . . . Pavone deploys signifiers of the contemporary culture wars to conjure a relentlessly polarized New York City, where race, class, and politics suffuse every interaction. Embracing a diverse cast of characters-including society ladies, defense contractors, and a Ukrainian super who spends his evenings on Grindr-the novel ultimately turns on a festering marriage, an ill-fated affair, and a business relationship gone sour, all of which combine to trap the 'unerringly patient and unfailingly nice' doorman in a cataclysm."
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The New Yorker"This adrenaline-pumping thriller from bestseller Pavone delivers a lacerating, Tom Wolfe-worthy dissection of Manhattan society in the post-Covid era . . . Page-turning from the opening paragraph to its killer finale, the narrative combines noirish atmosphere with a sharp attunement to the particular depravities of ultrawealthy urbanites. Pavone's provocative look at the city that never sleeps will keep readers up well into the wee hours."
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Publishers Weekly (starred review)
"Chris Pavone has always been good, but this novel is way better than good. The kind of novel that wins book awards. Cynical, tender, sharp, dense, funny, and loaded with inside dope about how New York works (and how it doesn't).
The Doorman is a
Bonfire of the Vanities for the twenty-first century. He gives it to both sides of the culture wars, and with both smoking barrels."
-Stephen King
"
The Doorman is a near-perfect blend of clever plotting, wicked social commentary, irresistible setting, truly memorable characters, and old-fashioned, page-turning fun. What a romp!"
-John Grisham
"
The Doorman pits the privileged gentry of Manhattan against the serfs they fear will breach their moats and scale the walls of their high rise co-ops. Pavone's depiction of present-day New York City is a callback to
Bonfire of the Vanities, but his telling is too real to be satirical."
-Griffin Dunne, author of
The Friday Afternoon Club"A tense, pulse-pounding thriller!"
-S. A. Cosby, author of
King of Ashes"Sensationally good, wise, wry, and perceptive-this era's great state-of-the-city novel, up there with the very best of Tom Wolfe and Jay McInerney."
-Lee Child, #1
New York Times bestselling author of the Jack Reacher novels
"Smart, twisty, and sharply written,
The Doorman is hard to put down and harder to forget. A delight."
-Karin Slaughter
, New York Times and #1 international bestselling author of
This Is Why We Lied"Like the New York City subway, Chris Pavone's novel moves at breakneck speed, twisting and turning, jostling together those who might otherwise live worlds apart, intertwining their secrets, their private heartaches, and their fates as
The Doorman hurtles to its shocking conclusion."
-Jenny Jackson,
New York Times bestselling author of
Pineapple Street"Chris Pavone swings big with
The Doorman, a wise, expansive, and extravagantly readable thriller that keeps us guessing until the last page. A searing and hilarious social satire,
The Doorman unflinchingly takes on New York in this moment-class, race, social justice-with an eye as wicked as it is compassionate."
-Maria Semple, author of
Where'd You Go, Bernadette"In this superb novel, Chris Pavone artfully blends the murk and glitter of Manhattan, both rich and poor, into one combustible tale of greed, lust, and crime. An irresistible read that captures, in personal terms, this terribly fraught moment in our nation's cultural politics."
-Ron Chernow, author of
Alexander Hamilton
