The Divina Commedia of Dante Alighieri
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This is Volume 3 of the epic poem, âThe Divina Commedia of Dante Alighieri, â containing Paradiso. Penned by Dante Alighieri (1265-1321), this volume presents the author's vision of Paradise, the third part of his allegorical journey through the afterlife. Translated into English, this edition offers readers access to one of the most important works of Western literature, exploring themes of spirituality, morality, and the human condition. Featuring contributions by John Scott, Leonardo Bruni, Thomas Stothard, Henry Boyd, and R.H. Cromek, this edition offers a unique historical perspective o...
This is Volume 3 of the epic poem, âThe Divina Commedia of Dante Alighieri, â containing Paradiso. Penned by Dante Alighieri (1265-1321), this volume presents the author's vision of Paradise, the third part of his allegorical journey through the afterlife. Translated into English, this edition offers readers access to one of the most important works of Western literature, exploring themes of spirituality, morality, and the human condition. Featuring contributions by John Scott, Leonardo Bruni, Thomas Stothard, Henry Boyd, and R.H. Cromek, this edition offers a unique historical perspective on the reception and interpretation of Danteâ(TM)s masterpiece. âThe Divina Commediaâ remains a cornerstone of world literature, studied for its profound theological insights and literary innovation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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