
The Bressonians
French Cinema and the Culture of Authorship
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In its methodology, the book combines an aesthetics of film authorship with a sociological approach. Takes into account the juridical dimension of film authorship. Provides an in-depth analysis of the work of renowned filmmakers Jean Eustache and Maurice Pialat, putting them in dialogue with their contemporaries. Reflection on film authorship that moves beyond the cult of personality and the celebration of individual film style, exploring the dynamics of film communities.