![The Blind Owl [Buf-e Kur]](https://bilder.buecher.de/produkte/75/75990/75990051n.jpg "The Blind Owl [Buf-e Kur]")
The Blind Owl [Buf-e Kur]
Versandkostenfrei!
Versandfertig in 1-2 Wochen
27,99 €
inkl. MwSt.
PAYBACK Punkte
14 °P sammeln!
This is the original Persian (Farsi) text of Sadegh Hedayat's The Blind Owl is a foundational work of modern Iranian literature, presented as a feverish, fragmented, and non-linear confession from an unnamed, reclusive narrator. Plagued by mental illness, solitude, and the use of opium, the narrator begins his account by describing a recurring vision he paints on pen cases: a mysterious, beautiful woman in black offering a flower to an old man under a cypress tree. This vision quickly becomes an obsession when the woman suddenly appears at his window. When she enters his room and dies, the nar...
This is the original Persian (Farsi) text of Sadegh Hedayat's The Blind Owl is a foundational work of modern Iranian literature, presented as a feverish, fragmented, and non-linear confession from an unnamed, reclusive narrator. Plagued by mental illness, solitude, and the use of opium, the narrator begins his account by describing a recurring vision he paints on pen cases: a mysterious, beautiful woman in black offering a flower to an old man under a cypress tree. This vision quickly becomes an obsession when the woman suddenly appears at his window. When she enters his room and dies, the narrator, in a bizarre and desperate act of preservation, has sex with her corpse, dismembers it, and buries it with the help of a hunchbacked old man who appears to be an avatar of death. The entire first part of the novella is shrouded in a surreal, dreamlike atmosphere where reality, hallucination, and the boundaries between life and death are terrifyingly blurred. The second part of the novella presents a murky, more grounded, yet equally distressing account that echoes the first, suggesting an unsettling cycle of eternal recurrence and despair. The narrator now describes himself as a sickly invalid, married to a woman he refers to only as "the whore," who is perpetually unfaithful and whom he intensely hates. Through a series of morbid revelations and the reappearance of sinister, recurring figures-including the hunchbacked old man-the narrator's sense of self deteriorates. Driven to madness, he ultimately stabs and kills his wife. Looking in a mirror, he sees his face has transformed into the face of the old man, suggesting a collapse of identity and the cyclical nature of his suffering. The novella is a profound exploration of existentialism, alienation, the corruption of desire, and the overwhelming fear of death, leaving the reader trapped in the labyrinthine terror of the narrator's psyche.
