The art of the Moving Picture ...being the 1922 Revision of the Book First Issued in 1915 ... by Vachel Lindsay
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The Art of the Moving Picture, by Vachel Lindsay, is a seminal work of early film criticism. This edition is the 1922 revision of the book first issued in 1915. Lindsay offers a unique and passionate perspective on the burgeoning art form of cinema. He discusses the aesthetic and social implications of motion pictures, advocating for their recognition as a legitimate and powerful art. Lindsay's writing captures the excitement and wonder surrounding the silent film era. This book provides valuable insights into the early development of film theory and the cultural impact of movies in the early ...
The Art of the Moving Picture, by Vachel Lindsay, is a seminal work of early film criticism. This edition is the 1922 revision of the book first issued in 1915. Lindsay offers a unique and passionate perspective on the burgeoning art form of cinema. He discusses the aesthetic and social implications of motion pictures, advocating for their recognition as a legitimate and powerful art. Lindsay's writing captures the excitement and wonder surrounding the silent film era. This book provides valuable insights into the early development of film theory and the cultural impact of movies in the early 20th century. This edition is a must-read for film scholars, historians, and anyone interested in the origins of cinema. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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