The Arrow-Maker
A Study of transition and Tradition in Native American Society
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"The Arrow-Maker" by Mary Austin is a drama set in a Native American community, exploring themes of change, tradition, and the intersection of personal desires with communal responsibilities. The play opens with the community of Sagharawite facing the threat of war with the neighboring Castac tribe. The central conflict revolves around the selection of a new war leader, as the current chief, Rain Wind, is too old to lead in battle. The community is divided between choosing Simwa, the skilled Arrow-Maker, and Padahoon, a seasoned warrior. The Chisera, a medicine woman with a deep connection to ...
"The Arrow-Maker" by Mary Austin is a drama set in a Native American community, exploring themes of change, tradition, and the intersection of personal desires with communal responsibilities. The play opens with the community of Sagharawite facing the threat of war with the neighboring Castac tribe. The central conflict revolves around the selection of a new war leader, as the current chief, Rain Wind, is too old to lead in battle. The community is divided between choosing Simwa, the skilled Arrow-Maker, and Padahoon, a seasoned warrior. The Chisera, a medicine woman with a deep connection to the gods, is called upon to divine the will of the gods regarding the leadership choice. Simwa, who is romantically involved with the Chisera, seeks her support to secure his position as the war leader. The Chisera, torn between her duties to the tribe and her personal feelings for Simwa, uses her influence to sway the decision in his favor. As the play progresses, the complexities of power, love, and tradition are revealed, highlighting the challenges faced by individuals in balancing personal changes with the needs of their community. The narrative also delves into the role of women in this society, as seen through the interactions between the Chisera, the Chief's daughter Bright Water, and other female characters. The play concludes with the community preparing for the impending conflict, leaving the audience to ponder the outcomes of the choices made by its characters.
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