The Architecture of the Margins
Gongora's Las Soledades
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This work examines the contradictions in Góngora srepresentation of the bucolic landscape in theBaroque masterpiece of the Soledades. The analysisfocuses on a fundamental disjunction noted frequentlyby Gongorine scholars between the form of the poemand its purported theme. Many critics havequestioned the incongruity between the poem selaborate language its recurrent metaphors based onarchitectural configurations characteristic of thehighly artificial Baroque court and city and theunderlying theme of the simple life of the pastoralworld. This book argues that the apparentcontradiction between ...
This work examines the contradictions in Góngora s
representation of the bucolic landscape in the
Baroque masterpiece of the Soledades. The analysis
focuses on a fundamental disjunction noted frequently
by Gongorine scholars between the form of the poem
and its purported theme. Many critics have
questioned the incongruity between the poem s
elaborate language its recurrent metaphors based on
architectural configurations characteristic of the
highly artificial Baroque court and city and the
underlying theme of the simple life of the pastoral
world. This book argues that the apparent
contradiction between form and content that divides
the poem is in fact an essential process in Góngora s
creation of an original and dynamic style. Although
Góngora s style subverts the traditional Renaissance
pastoral (Alabanza de aldea / menosprecio de corte),
it creates a paradoxical pastoral that should be
understood as a powerful manifestationof the
complexities of Baroque literary art.
representation of the bucolic landscape in the
Baroque masterpiece of the Soledades. The analysis
focuses on a fundamental disjunction noted frequently
by Gongorine scholars between the form of the poem
and its purported theme. Many critics have
questioned the incongruity between the poem s
elaborate language its recurrent metaphors based on
architectural configurations characteristic of the
highly artificial Baroque court and city and the
underlying theme of the simple life of the pastoral
world. This book argues that the apparent
contradiction between form and content that divides
the poem is in fact an essential process in Góngora s
creation of an original and dynamic style. Although
Góngora s style subverts the traditional Renaissance
pastoral (Alabanza de aldea / menosprecio de corte),
it creates a paradoxical pastoral that should be
understood as a powerful manifestationof the
complexities of Baroque literary art.
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