Kody Keplinger
Broschiertes Buch
That's Not What Happened
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An addictive page-turner from bestselling US sensation Kody Keplinger, author of THE DUFF and RUN
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Kody Keplinger was born and raised in rural western Kentucky. She always enjoyed writing and began working on novels when she was eleven. She wrote her first published work, THE DUFF, at seventeen. Since then, Kody has written two other novels, SHUT OUT and A MIDSUMMER'S NIGHTMARE. Kody currently lives in NYC and writes full time. She enjoys Thai food, Converse tennis shoes, and way too much television. Kody writes for YA Highway, a blog devoted to the young adult publishing industry. She is also a featured writer for Poptimal.com, a popular pop culture blog, where she reviews TV shows and movies.
Produktdetails
- Verlag: Hachette Children's Group
- Artikelnr. des Verlages: 550956
- Seitenzahl: 373
- Altersempfehlung: 12 bis 15 Jahre
- Erscheinungstermin: 28. August 2018
- Englisch
- Abmessung: 195mm x 128mm x 30mm
- Gewicht: 332g
- ISBN-13: 9781444933628
- ISBN-10: 1444933620
- Artikelnr.: 50915669
Herstellerkennzeichnung
Libri GmbH
Europaallee 1
36244 Bad Hersfeld
gpsr@libri.de
TW for gun violence, depression, anxiety, alcohol abuse, panic attacks, verbal abuse
Let‘s start with the diversity. An asexual MC, a lesbian latina MC with a wlw Asian American girlfriend, a blind black MC, a very young mother and obviously a whole bunch of mental health rep. It‘s …
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TW for gun violence, depression, anxiety, alcohol abuse, panic attacks, verbal abuse
Let‘s start with the diversity. An asexual MC, a lesbian latina MC with a wlw Asian American girlfriend, a blind black MC, a very young mother and obviously a whole bunch of mental health rep. It‘s just great to have these characters be diverse without that being the main focus of their story at the same time. I loved that the blind MC gets to talk about how his school isn‘t doing enough to actually help him and that no one ever simply asks him what he wants and needs, which is obviously a very big problem for disabled people.
I loved that the latina MC got to have issues with Spanish. I loved that all the characters got to tell their version of the story and none of them were judged by the other characters, quite the opposite. These friends were thrown together by a tragedy but they fought hard to stay friends and even though they had fights and not everything is resolved at the end (which felt very realistic), they never judged each other. I absolutely adored the way this book challenged usual retorics, humanizing the shooter, glorifying the dead and either making the survivors out to be heroes or tragedies.
The overall story is just so full of emotions and the characters all seem so human, they‘re flawed, they struggle and they can only do what they think is right. I also loved the „truth vs. story“ narrative because it‘s one that‘s especially important in today‘s world where almost everything is filtered through so many kinds of media and biases. Also the narrative about how the truth is always important, it‘s the truth after all, but sometimes it‘s not good for anyone except you and more often than not people don‘t really want to hear the truth, is always an important one to have.
I loved that the shooter‘s name is never mentioned, that he‘s actively blacked out of the conversation, that he‘s simply not important in this story. It‘s just a very conscious choice, a deliberate one that is so often taken away from victims. Especially in recent years, how many narratives around shootings were so focused on making the shooter seem human- making him (let‘s just call it the way it is, right?) the victim, the victim of bullying, of mental health, of a bad upbringing, of circumstances, of anything and everything out of his control. But he made the choice to pick up a gun and shoot other people for it, while billions of other people with the same background manage not to make the same decision. He‘s not made out to be a monster, his humanity isn‘t questioned, he‘s just put where he belongs: nowhere.
The MC isn‘t the most interesting one in my opinion, but I think she was the safest choice as main character and I liked her well enough. I also really appreciated how guilt was woven into her story because it‘s such a big part of depression and anxiety for me and seeing that represented in a character was comforting and it fit her personality so well.
The kinda obituaries for the victims were well done and so heartbreaking, because the characters were once again just so very human and one of the main goals of this was to not make them out to be something holy and unreal.
Overall it‘s just such a moving book and it feels like this could be a real story, written by real survivors of a school shooting. Why do we live in a world where this isn‘t horror or speculative fiction? Where a story like this doesn‘t feel so far off?
Weniger
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