Ten flapping elbows, mama
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have tried to be fully aware of the legacy that we carry of poetry on the page, by being aware of style and form all the time, especially when trying to make language do new things. In what I call psycho-narration, I try to write beyond the understanding that the 'inside of one's head' and 'the objective world' are really distinct worlds. This is a form I have grown to love more since I started preferring the long poem format that sits on a conversational tone. It's a multi-vocal way of writing or telling stories in a less authoritative way, a kinda voice democracy in the poem. If we let go be...
have tried to be fully aware of the legacy that we carry of poetry on the page, by being aware of style and form all the time, especially when trying to make language do new things. In what I call psycho-narration, I try to write beyond the understanding that the 'inside of one's head' and 'the objective world' are really distinct worlds. This is a form I have grown to love more since I started preferring the long poem format that sits on a conversational tone. It's a multi-vocal way of writing or telling stories in a less authoritative way, a kinda voice democracy in the poem. If we let go beyond rational thought - or even the idea that rational thought is a reflection of reality - then anything can happen." joy has no generation gaps nor silences in between like broken denture. No owls' bleak eyes blinking when the question in the air stings in the eye a grip, the clasp of hands is so strong we're stitching the lesion to the rock no empty klevaz no one had become hidden schisms, victims or slow songs simpering like a basket under a leaking tap
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