South Asian Women Writers Breaking the Tradition of Silence
Versandkostenfrei!
Versandfertig in 1-2 Wochen
44,99 €
inkl. MwSt.
PAYBACK Punkte
0 °P sammeln!
Master's Thesis from the year 2009 in the subject Women Studies / Gender Studies, grade: 1,3, University of Constance, language: English, abstract: The present paper aims at approaching the exceptional cases of five South Asian women writers who grapple in their novels with different manifestations of male violence against women. What will be examined is their aesthetic perspective and representation of the given topic, as well as their significant contribution to the effort of breaking the silence on gender-based violence by transforming it into a speakable subject.The present paper will be l...
Master's Thesis from the year 2009 in the subject Women Studies / Gender Studies, grade: 1,3, University of Constance, language: English, abstract: The present paper aims at approaching the exceptional cases of five South Asian women writers who grapple in their novels with different manifestations of male violence against women. What will be examined is their aesthetic perspective and representation of the given topic, as well as their significant contribution to the effort of breaking the silence on gender-based violence by transforming it into a speakable subject.The present paper will be limited to analyse its aesthetic engagements by focusing on the following fictional works: Manju Kapur (India) - Home, Taslima Nasrin (Bangladesh) - My Bengali Girlhood, Mukhtar Mai (Pakistan)- In the Name of Honor, Tehmina Durrani (Pakistan) - My Feudal Lord, and Anita Nair (India) - Ladies Coupé. The visible interest in the South Asian literary writing is legitimized by the writers' argument that the social systems referred to in the texts display a visible predisposition to protect the male abusers and silence the victims. In an attempt to explore their indictments, it is relevant to introduce theories and empirical results from the area of sociology and psychology, as well as pertinent statements of literary critics, Indian and Pakistani writers and journalists. The present paper will contextualize and thematize the issue of gender-based violence and the silence camouflaging it on the basis of the following structural outline: the next chapter will provide a brief view on the phenomenon of violence, then it will deal with one of its particular areas, namely violence against women. Further, the paper will provide the reader an introductive outlook on gender-based violence, its various implications and the objectives of the three sub-chapters on child sexual abuse, rape, and intimate partner violence.The third chapter will be dedicated to the question of silence on male violence against women; the purpose of this chapter will be to investigate the causes of this particular type of silence, its mechanisms and the factors that contribute to its propagation. Also, in focusing on the possibilities and consequences of disrupting the silence on male violence, the paper will seek to discover what are the costs and chances of success of such an non-conformist endeavour.Finally, the last section of the thesis will be concerned with the review of the main ideas developed along the two main chapters in order to verify the substantially and relevance of the arguments.
Andere Kunden interessierten sich für
![Cover The Plurality of c[u-o]me: Transgressing the Soliloquies of Rape and Sex towards a Language of [Post-]Sexual Dialogue](https://bilder.buecher.de/produkte/60/60293/60293417n.jpg "The Plurality of c[u-o]me: Transgressing the Soliloquies of Rape and Sex towards a Language of [Post-]Sexual Dialogue")
